“Exploring the Senses” Storytelling Community Mural Art Installation

Kingston Artist Portia “Po” Chapman’s 5'6" circular Storytelling Art mural "Exploring the Senses," serving as a visual map and storytelling prompt for the Base31 Sensory Garden installation.
“Exploring the Senses” by Portia “Po” Chapman. This 5’6″ circular mural is the centerpiece of an 8-piece installation at the Base31 Sensory Garden.

“Exploring the Senses:” A Collaborative Art Installation.

The Sensory Garden at Base31 is a permanent, community oriented sensory exploration space for children and children at heart. It designed to foster a deep, whimsical connection with the Land through nature-based play stations. The community garden achieves a unified harmony through an integrated storytelling art installation by Kingston artist and mural painter Portia “Po” Chapman: the central 66-inch “Exploring the Senses” mural, a series of 5 site-specific bilingual sensory station lollipop-like signs, and digital illustrations that frame notices and the garden map upon the information billboard by the entrance. Handcrafted by Po at her private Kingston art studio and wood shop, each element was meticulously designed to guide visitors through exploration stations — Seeing, Smelling, Hearing, Moving, and Touching — while mirroring the surrounding landscape of Prince Edward County. The collaboratively cohesive approach of intersecting art installation with landscape architecture ensures a vibrant narrative 365 days a year.

Technical Resilience and Seasonal Impact

A hallmark of this art installation is its exceptional technical durability and visual impact across all seasons. The brilliant, UV-resistant colours used in the mural and signage were specifically chosen for their longevity and high-impact saturation, allowing the artwork to appear as naturally integrated elements of the florally abundant summer season while popping vividly against the stark white landscape of a Canadian winter. Through a sophisticated exercise in colour theory, the signage is colour-matched to the natural landscape, garden plants, Base31 buildings, and the mural’s vibrant hues. By creating the art installation in Kingston while the garden landscape was being crafted by many helpful hands in Picton, the entire project’s timeline met its culmination together. The interwoven collaborative success of this project serves as a tribute to the functionality of art installations in the making and usage of public spaces.

Documenting the Journey: From Concept to Community Landmark

As you continue through this page, you will see the progressive creation of the “Exploring the Senses” art installation: from first site visits and mural design to the installation’s celebratory, public reveal (fall 2023) and its current physical vitality (winter 2026). The following photographic documentation highlights the power of storytelling art within a treasured public space and children’s play-based learning environment.

Kingston artist and mural painter Portia "Po" Chapman giving a public presentation on the Sparrow Theatre stage during the 2023 Sensory Garden Grand Opening and art reveal.
Speaking at the 2023 Sensory Garden Grand Opening, I had the honour of revealing the finished storytelling art installation to the community. During this presentation, I shared the inspirations behind the “Exploring the Senses” mural and explained how the three integrated components—the mural, the bilingual station signs, and the custom digital illustrations—seamlessly function together to enhance the garden experience.

Artist Statement by Po


The children’s mural and art installation, “Exploring the Senses,” began with a site walk at the beginning of June 2023.  Barely a path had been made when I first saw the space.   I fell in love with the project as soon as Jess Pelchat showed me her design plan and told me her garden related story.  Immediately,  I began reflecting upon my own childhood when I played outside in the woods, just outside Tweed, ON.  I was 3 years old when my parents built our residential art studio in the forest along the south shore of Moira Lake.  We lived there, surrounded by nature until I was 21 years old.  My first art pieces were made from feathers, stones, shells, bark and mud.  It was in the forest that I learned about life.  Then, in 2020-2021, I had the honour of teaching an arts centred, play-based curriculum to a class of Junior Kindergarten students.  For this art installation, I drew upon my lived and professional experiences.  The, “Exploring the Senses,” art installation project was a true joy to create.  I hope that many children, and children-at-heart, will enjoy telling their stories of what they see in the mural, and that they will continue to be inspired to play, learn, reflect, and have fun in Base31’s Sensory Garden as they explore their senses while connecting  with the LAND. 

Continue scrolling to view the technical documentation and gallery of the Sensory Garden’s evolution from concept to completion.

A portrait of Kingston artist Portia "Po" Chapman speaking into a microphone at the Sensory Garden grand opening, wearing a custom t-shirt featuring her "Exploring the Senses" freehand brush painted mural.
At the 2023 Sensory Garden grand opening, I presented the five senses depicted in my mural and their relationship to wild animals found in Nature. To create a professional and cohesive connection between myself and the installation, I am wearing a custom-made t-shirt featuring the mural design — a standard practice for my public presentations to ensure design correlation with my topics, art or workshops.

It Began with a Plan by Jess Pelchat, a Site Walk and Inspiration Photos

Kingston Installation Artist Portia Chapman kneeling on the ground, reviewing a large landscape blueprint with Wild Child CEO Jessica Pelchat and Specialist Christophe Doussot at the Base31 construction site.
Meeting with the Sensory Garden team: analyzing landscape blueprints onsite ensures installation components are engineered to master specific lighting and environmental conditions within the garden.
Installation Artist Portia Chapman in a blue dress and hat, holding architectural plans, standing in a field with Wild Child Regeneration CEO Jessica Pelchat and a large orange excavator.
Standing alongside Jessica Pelchat (CEO of Wild Child Regeneration), I was integrated into the project’s fluid organizational structure from the beginning.
Landscape photo of a gravel construction site for a 150-yard sensory garden, featuring white arrows and text overlays identifying the "Mural Location" and "Sensory Sign Location" amidst survey flags.
Mapping installation locations during excavation ensures art functions as a structural guide within the garden’s physical and educational flow.
A vibrant orange and red sunset viewed through a silhouetted treeline at the Base31 construction site, with yellow caution tape marking the future "Exploring the Senses" mural location.
Documenting site-specific light conditions ensures my installations mirror the natural environment, creating a seamless sense of belonging and permanence.

Art Installation Component 1: The Circular Mural Showpiece

Close-up of Portia Chapman using a handmade wooden rotating jig and pencil to draw a precise arc on a sheet of 3/4-inch MDO exterior sign board.
Fabricating a custom rotating jig ensures mathematical precision in the creation of the mural’s 5′-5″ circular substrate.
Kingston Artist Portia Chapman working outside at her studio, using a Bosch power sander to smooth down the curved edge of a large wooden mural piece.
Sanding and filling the edges of the mural board to make sure it’s perfectly smooth, circular and ready for the outdoors.
Kingston Mural Artist Portia Chapman in a paint-stained lab coat standing proudly in front of a giant, 5'-5" grey primed circular mural board mounted to a studio wall.
By building a custom wall mount in my temperature / humidity controlled painting studio, I ensured the two-piece mural would line up perfectly and stay durable.

How the Mural Image Developed

The conceptual framework for this installation is rooted in deep research into the natural history of Prince Edward County. Each component was designed to be both educational and engaging, utilizing specific animals to mirror the sensory exploration stations within the garden:

Smell (Bear): Chosen for their exceptional olfactory abilities, the bear is depicted smelling flowers to encourage engagement with the garden’s aromatic plants.

Touch (Raccoon): Highlighting the raccoon’s sensitive paws and tactile intelligence, this guide aligns with the garden’s stick-fort and texture-based play areas.

Look (Bald Eagle): Representing the finest distance vision in the animal kingdom, the eagle is positioned at the top of the mural to correspond with the garden’s elevated observation platform.

Listen (Rabbit): Known for their 180-degree swiveling ears, the rabbit serves as a guide for the sound-based stations and the garden’s theater stage.

Move/Proprioception (Deer): Selected for their stunning agility and balance, the deer emulates the movement required for the wood-log obstacle course.

Beyond these pairings, the installation’s visual language is an intentional tribute to the regional landscape and the specific history of the Base31 property. The mural’s horizon features the distant evergreens, while the ground is rendered in a palette of lavender, Kelly green, and earthy yellow to represent local wildflower fields and agricultural history. A central technical highlight is the “glorious, burning sunset,” which was meticulously colour-matched to photographs taken during a site visit, ensuring the storytelling art captures the authentic atmosphere of the County. This level of research ensures that every artistic choice is purposeful, transforming a beautiful visual concept into a perfect, site-specific execution.

A three-stage progression of the "Exploring the Senses" mural design, showing the original pen-and-ink light table drawing, the digital scan, and the final colourized digital edit by Kingston artist Portia "Po" Chapman
This image documents the three-stage design evolution of the “Exploring the Senses” mural. My process begins with hand-drawing using a light table to layer design components (Stage 1), followed by high-resolution scanning (Stage 2), and concluding with digital editing and coloration to create a final vision for the hand-painted mural (Stage 3).

The Mural Painting Process

Kingston artist Portia "Po" Chapman’s "Exploring the Senses" mural design on a custom wall-mount easel, showing the transition from pen-and-ink drawing to a life-size template.
This stage involves translating my original pen-and-ink drawings into a life-size CNC paper template on a custom-built wall-mount easel. This specialized easel ensures both sides of the mural remain perfectly flat and aligned during the meticulous redrawing and editing process. The rough template is the initial guide in the stage of design translation.
Kingston artist Portia "Po" Chapman applying thin layers of hand-mixed paint to the "Exploring the Senses" mural, prioritizing colour blocks before the black line work.
With the design fully edited and redrawn, I begin the meticulous application of hand-mixed colours to the right side of the “Exploring the Senses” mural. Due to the abundance of custom hues required for this storytelling art piece, I apply these initial colour blocks first, reserving the signature black line-work for the final stage of execution.
Kingston artist Portia "Po" Chapman using a small round artist brush to apply a precise second coat of paint and black line-work to the Sensory Garden mural.
Achieving a perfect execution requires patience and a refined hand. In this photo, I am thinly painting the second coats of colour and the defining black line-work for the “Exploring the Senses” mural. Using a small round artist brush allows me to create ridge-less transitions and a smooth, flat finish that is characteristic of my professional storytelling art style.
A split-view of Portia "Po" Chapman’s "Exploring the Senses" mural on a wall easel, showing the left side with finished black line-work and the right side with base colour blocks.
This in-studio process shot of the “Exploring the Senses” mural illustrates the transformative power of my signature line-work. The left side has received its meticulous coat of black paint, while the right side remains in its vibrant, secondary-coat colour block stage, ready for the final defining lines.
A side-by-side comparison of Portia "Po" Chapman’s "Exploring the Senses" mural showing the visual difference between one coat and two coats of opaque black line-work.
This photo illustrates a fascinating, counterintuitive stage of my professional execution. While the left side of the mural has one coat of black paint, the right side features two full coats. Notice how the more opaque the black becomes, the brighter and more vivid the surrounding colour blocks appear—a magical effect essential to the high-impact nature of my storytelling art.
Kingston Artist Portia “Po” Chapman performing precision touch-ups on the installed "Exploring the Senses" mural at Base31 Sensory Garden, using a small round artist brush to ensure a perfect execution of the storytelling art.
Here I am finalizing the installation of the “Exploring the Senses” 5′-6″ circular mural after it has been installed on the Sensory Garden gate at Base31.
Kingston artist Portia "Po" Chapman standing beside the installed "Exploring the Senses" Storytelling Art mural on the Sensory Garden gate at Base31.
A moment of celebration standing beside the finished and installed “Exploring the Senses” mural on the Sensory Garden gate. This project showcases my commitment to technical excellence and design fidelity, from the initial hand-rigged drafting to the final, vibrant application of hand-mixed colours and crisp black line-work.

Art Installation Component 2: Site-Specific Sensory Exploration Signs

Split photo of two rows of circular prototype signs for the Sensory Garden, showing colour trials and CNC-cut sensory words like "SMELL," "TOUCH," and "MOVE".
As part of a three-component storytelling art installation for the Sensory Garden, I prototyped these exploration station signs to harmonize with the main circular mural. The top image shows the initial colour trials at my studio garden. After taking the trials to the Sensory Garden, I edited them for the second iteration (below) — featuring split-tone colour blocking and paper words cut with my CNC machine to refine visibility and legibility.
Kingston artist Portia "Po" Chapman meeting with the Sensory Garden design and art installation team on site discussing the sample signs during the playground's construction phase.
A critical stage in my professional process: meeting with the Sensory Garden design and installation team to finalize the exploration station signage. In this photo, I am field-testing painted plastic waffle board prototypes while the sensory play stations and landscape were under construction. Once we reached a collaborative agreement on the size, pattern and colours, I moved to the fabrication stage using 3/4″ exterior MDO signboard to ensure a durable, high-quality execution of my storytelling art.
Kingston artist Portia "Po" Chapman using a shop band saw to precisely cut circular discs from 3/4 inch exterior MDO signboard for the Sensory Garden installation.
Following the successful field-testing of my prototypes with the on-site design team, I began the final fabrication phase of building the signage in my Kingston art studio wood shop. Here, I am using a shop band saw to cut the 3/4″ exterior MDO (Medium Density Overlay) signboard, chosen for its smooth surface and extreme weather resistance.
Close-up of Portia "Po" Chapman peeling CNC-cut vinyl elements from a custom "LOOK" station sign for the Sensory Garden project.
This photo captures a meticulous stage of my professional execution for the Sensory Garden project. Here, I am removing elements of a CNC-cut vinyl sticker for the “LOOK” exploration station sign. This process was applied to all five signs, ensuring high-impact visual clarity for a diverse audience of children and caregivers. The template served as a temporary hyper-accurate stencil that assured garden sign cohesion among all 5 signs and the digital print illustrations.
A finished circular sensory garden sign on a wooden table, featuring the words "LOOK" and "REGARDER," eye icons, and floral motifs that match the main mural.
This stage of the Sensory Garden signage demonstrates my commitment to site-specific cohesion. After painting the white icons and words, the vinyl stencil was removed to reveal the crisp label, “LOOK.” To ensure a perfect execution that honours Canada’s two official languages, I utilized a CNC-cut stencil for the French text and a floral wreath that mirrors the exact shapes found in the central mural.
A close-up of the finished "LOOK / REGARDER" circular sign for the Sensory Garden, showing the hand-painted bilingual text, eye icons, and vibrant floral motifs.
This photo captures the finalized second coat of paint on the “LOOK / REGARDER” circular sign, currently drying in the studio. To ensure absolute installation cohesion, the flower motifs are painted in the exact same hand-mixed hues used in the primary Sensory Garden mural. In the background, the next station sign awaits its final colour application, maintaining exemplary design fidelity across all project components.
The finished "LOOK / REGARDER" bilingual circular sign standing in a studio flower garden to test visibility and colour harmony before final installation.
Before proceeding with the full series, I placed the finished “LOOK / REGARDER” sign in my studio garden to conduct a real-world appearance and readability test. This critical step allowed me to confirm that the hand-mixed colours and hand-brush painted imagery remained vibrant and legible in natural sunlight against a floral backdrop, ensuring a perfect execution for the Base31 Sensory Garden.
Five circular bilingual station signs for the Sensory Garden—including "LOOK/REGARDER" — drying on a wire rack after receiving a protective UV-resistant top coat.
Achieving a perfect execution requires a meticulous finishing process. In this photo, all five bilingual signs have received their final painted edges and a high-end, UV-resistant, crystal-clear top coat. They are currently drying in a dust-free and humidity-controlled environment to ensure a flawless, durable finish.
Five circular, hand-painted station signs for the Sensory Garden—Listen, Smell, Move, Touch, and Look—presented in their final bilingual format on a wooden table.
The full suite of five bilingual sensory exploration station signs is complete and ready for delivery to the Base31 Sensory Garden. Each sign features custom-mixed colours, universal icons for non-readers, and a floral motif that mirrors the central garden mural, ensuring accurate design fidelity and installation cohesion.
Kingston artist Portia "Po" Chapman posing inside a delivery van with her custom-built layered crate securely holding the Sensory Garden mural and five circular station signs.
Loading up for delivery to Base31! In this photo, I am posing in the delivery van with the completed Sensory Garden mural and signage suite. To ensure a perfect execution from studio to site, I designed and built a custom layered crate that firmly holds all pieces in place without any contact with the painted faces of the storytelling art installation.
A close-up of the "LOOK / REGARDER" bilingual station sign standing in the snow at the Sensory Garden in January 2026, showing no signs of weathering after 27 months of exposure to Canada's four seasons.
This photograph, taken in January 2026, serves as a testament to the technical quality of my professional execution. After 27 months of exposure to blistering sun, icy sleet, and unforgiving winds in the Base31 Sensory Garden, this station sign remains as vibrant and crisp as the day it was delivered in September 2023.

Art Installation Component 3: Illustrations Matching the Mural & Signs

A large plywood billboard at the Base31 Sensory Garden featuring a central map and plant identification guides, all unified by Kingston Artist Illustrator Portia "Po" Chapman’s custom floral border illustrations.
The Sensory Garden billboard demonstrates the full scale of my integrated design system that unifies the 3 component art installation. My custom rectangular border illustration anchors the central garden map and coordinates with the individual vegetation guides. This floral motif unifies all posts on the 4×8 plywood board, guiding children on a plant identification scavenger hunt that complements their sensory exploration.
A Land Acknowledgement statement for the Sensory Garden at Base31, framed by a vibrant, circular floral border illustration by Kingston artist illustrator Portia "Po" Chapman.
This photo features the Sensory Garden Land Acknowledgement posted on the information billboard at Base31. To ensure the statement was presented with beauty and local relevance, Base31 used my custom circular illustration, originally drafted in pen and ink and digitally coloured, to frame the text. The border’s floral motifs and colour palette are meticulously designed to link the board to the primary “Exploring the Senses” mural and sensory exploration station signs.
A collection of four images showing rough pen-and-ink sketches alongside digitally colored versions of floral border art for the Sensory Garden project.
These custom illustrations represent the third component of the Sensory Garden installation. The top row features rough pen-and-ink drawings, while the bottom row showcases the digitally coloured versions designed for information posts and posters. These organic borders, designed with children viewers in mind, were specifically created to link the signage colours and the floral motifs found in the central mural, “Exploring the Senses”.
A detailed Sensory Garden map featuring colour-coded asterisks that mark the art installation component locations of the "Exploring the Senses" mural, five station signs, and custom illustrations.
This installation guide provides a bird’s-eye view of the Sensory Garden at Base31. I have colour-coded the map with asterisks to highlight the seamless integration of my three art installation components: the central mural (red), the five bilingual station signs (purple), and the custom illustrations (green) that anchor the garden’s educational posts.

Fall 2023 – Art Installation Reveal at the Sensory Garden Grand Opening

Base 31 Sensory Garden information post billboard featuring border art illustration motifs by Kingston artist Portia "Po" Chapman at the Grand Opening
At the 2023 Grand Opening of the Base 31 Sensory Garden guests could read guides and a garden activity map with custom illustration borders that I designed to match the mural.
Attendees of all ages listening to Kingston artist Portia "Po" Chapman public speaking about the the mural, "Exploring the Senses," featured on a fence in the background.
At the Base31 Sensory Garden grand opening, attendees of all ages listening to me speak about the the mural, “Exploring the Senses.”
Kingston artist Portia "Po" Chapman hand painted sign, "Touch," in the Base 31 Sensory Garden.
Children exploring their sense of touch in a play-based learning station in the Base31 Sensory Garden. This is the bilingual “Touch” sign I painted.
Sign "Move," is one of five sensory signs painted by Kingston artist Portia "Po" Chapman in the Base 31 Sensory Garden.
This is the “Move” sign. The bilingual sign also includes a non-verbal symbol at the top for non-readers. I linked all of the signs, mural, and digital borders by continuing the colour palette and floral motif throughout the art installation.
Sensory Garden sign, "Smell," created and painted by Kingston art installation artist Portia "Po" Chapman as part of the 3 component art installation for Base 31.
This is the “Smell” sign I painted. This photo was taken at the 2023 Grand Opening of the Sensory Garden. There are a lot of mature plants now.
Signs by Kingston Installation Artist and an information billboard guide sensory explorers through the Sensory Garden at the 2023 Grand Opening.
October 2023 – In this photograph of the Sensory Garden, three of the five sensory station signs are visible: “Look,” “Touch,” “Smell.”

Winter 2026 – Checking the Durability and Condition of the Art Installation

Kingston artist Portia "Po" Chapman standing in the snow-covered Sensory Garden at Base31 in January 2026, surrounded by vibrant, weather-resistant station signs.
January 2026 – Here I am in the Sensory Garden nearly 2.5 years after the initial installation. The artwork continues to bring light and life to the frozen winter landscape. The sensory station signs and colourful graphic illustration borders look as vibrant as the day they were delivered in September 2023, proving the long-term value of my professional technical execution.
A bilingual "Touch / Toucher" sensory garden sign featuring white hand icons, colour-matched to the forest spruce green and seafoam blue of the adjacent historic WWII barracks building in winter.
This bilingual “Touch” sign demonstrates cohesive placemaking by colour-matching the art installation to the restored WWII barracks building, integrating the storytelling art installation seamlessly into the historic property.
A circular bilingual "Smell / Sentir" sign in shades of cranberry and pink, featuring a nose and flower icon, set against a snowy garden and a forest green building.
The “Smell” sign utilizes deep cranberry and pink hues to complement the forest green and seafoam backdrop, while the floral wreath motif at the base connects the installation to the “Exploring the Senses” mural while providing non-verbal imagery for child explorers who cannot yet read.
A split-screen photo showing two circular bilingual signs from the Sensory Garden, "Listen / Écouter" and "Move / Bouger," standing in the snow and showing no signs of fading or wear after 2.5 years.
Nearly 2.5 years after installation, the Sensory Garden installation remains in pristine condition, demonstrating the high-quality materials and technical standards that clients depend on for permanent public art.
A large circular mural, painted by Kingston artist Portia "Po" Chapman, titled "Exploring the Senses" mounted the Base 31 Sensory Garden wooden fence gate in a snowy landscape. The mural features vibrant storytelling art with saturated colours like orange, pink, and green that remain bright in the winter light.
The “Exploring the Senses” mural remains in stunning, pristine condition even during the winter of 2026, injecting intense colour and life into the winter garden.


Kingston Artist Portia "Po" Chapman, wearing a pink hat and shirt, sits on a log stump talking joyously with Sensory Garden designer Jessica Pelchat in front of the "Exploring the Senses" mural during the 2023 Grand Opening.
Here I am with Jessica Pelchat, CEO of Wild Child Regeneration, celebrating the 2023 Grand Opening of the Sensory Garden, featuring the completed “Exploring the Senses” mural in the background.
Kingston Artist Portia "Po" Chapman, wearing a vibrant pink sweater, stands smiling beside her circular "Exploring the Senses" mural on a wooden fence at Base 31 in the Sensory Garden during the spring of 2024.
Here I am standing with the “Exploring the Senses” mural in Spring 2024; having triumphantly withstood its first winter, it remained in beautiful condition. This piece has become one of the most photographed and shared murals on the Base31 property.

Bring Your Vision to Life

The Sensory Garden stands as a vibrant testament to what is possible when professional technical skill meets a heart for community-driven storytelling art. From the initial conceptual research to the final installation handcrafted in my Kingston studio, my commitment is to deliver a finished work that remains 100% faithful to the original design – ensuring your organization’s vision is realized with precision and durability. Whether you are looking to transform a public space into an impactful landmark or require a mural that enlivens your property across all seasons, I am ready to bring my expertise to your next project. Let’s collaborate to create something that inspires connection and reminds us all that life just feels better when we smile.

I value a positive, collaborative process that respects the direction and stories of every business, organization and collector with whom I work. My clients trust me to provide the technical know-how and professional oversight required to move from an initial creative concept to a high-end execution – delivered on time and as envisioned.

I hope that you find my artwork inspirational, uplifting, welcoming and most of all, BEAUTIFUL!

I am often asked why I create attention grabbing, beautiful artworks, that generate discussion and the mutual sharing of stories. My response is:

Portia “Po” Chapman, Kingston Artist

Specializing in: Community Placemaking, Storytelling Art Research, Project Execution

To Start Your Project, Reach Out via the Contact Information Below:

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