Storytelling Art & Bold Colour Blocking: The Portfolio of Portia “Po” Chapman

Portia “Po” Chapman, Kingston Artist, stands in front of her 14'X6' Storytelling Art mural "Strong and Growing Stronger" at Strong Enterprises HQ, demonstrating professional creative placemaking and large-scale project execution.
Kingston Artist Portia “Po” Chapman at Strong Enterprises HQ with her mural: “Strong and Growing Stronger.” Po won the commission contest in September 2024. In January 2026, she returned to perform a professional polish and final execution touch-ups on the 14-foot long storytelling art mural.

As a professional Kingston artist with Indigenous ancestry, Portia “Po” Chapman (BFAH, BEd) creates nature focused, storytelling art characterized by her signature, vibrant colour-blocking style inspired by ancient grapevine silhouettes cast by the rural noonday sun. Her style delivers sophisticated “eye candy” for educational institutions, municipalities, corporations, and private collectors across Canada and the United States. Her portfolio demonstrates a mastery of scale, ranging from large-format community placemaking mural installations to digital images and published print illustrations, as well as hand-painted rawhide frame drums.

Whether designing narrative logos for firms, icons for Universities, public art for municipalities, or murals for community organizations and business offices, Po combines creative intuition with the technical expertise required to ensure the final art work remains entirely faithful to the original vision. By valuing the unique direction and story of every client, she realizes their project goals into a vivid, attention grabbing work of art that is most commonly described as, “Beautiful.”

Circular mural design by Kingston artist Portia ‘Po’ Chapman for Base31 in Picton, Ontario, depicting the historic hilltop barracks, Lake Ontario waves, drone light show dots, powerful eagle-shaped clouds, and community members walking together to celebrate the site’s WWII flight school heritage and renewed cultural life.
“Building a Bright Future” by Portia ‘Po’ Chapman. This 6′ diameter mural created for Base31 in Picton, celebrates the site’s historic past and its new cultural identity.
Kingston Artist Portia “Po” Chapman freehand painting the 3D "Building a Bright Future" mural for Base31, using small round brushes to apply hand-mixed acrylics to a 6-foot diameter frame-drum-inspired structure.
Po in her Kingston art studio, hand-painting the 6′ diameter 3D sculptural mural “Building a Bright Future” for Base31.

“Building a Bright Future” was built and painted as a commission piece for Base31, Picton. This 3D sculptural mural was custom ordered to be portable. Most murals are fixed to walls, but in this case, my client requested that it be able to be mounted in various locations. Additionally, they wanted the mural to simulate a frame drum, for which I am known. The mural is painted on top of a 6″ deep red cedar drum frame with large mounting hooks in the back. It is now mounted in the entry of the Base31 Exhibition Hall.

Kingston Artist Portia “Po” Chapman’s 5'6" circular Storytelling Art mural "Exploring the Senses," serving as a visual map and storytelling prompt for the Base31 Sensory Garden installation.
“Exploring the Senses” by Portia “Po” Chapman. This 5’6″ circular mural is the centrepiece of an 8-piece installation at the Base31 Sensory Garden.
Kingston Artist Portia “Po” Chapman performing precision touch-ups on the installed "Exploring the Senses" mural at Base31 Sensory Garden, using a small round artist brush to ensure a perfect execution of the storytelling art.
Artist Portia “Po” Chapman finalizing the installation of the “Exploring the Senses” 5′-6″ circular mural.

“Exploring the Senses” is the focal artwork in the Base31 Sensory Garden’s 8-piece installation that includes activity station signs and graphic borders for posted information documents. This mural highlights the technical expertise required to scale vibrant concepts to large, unconventional surfaces, such as the operational, split fence gate. I meticulously followed the theme of “Learning from the Land,” to ensure the creative narrative resulted in a cohesive installation that encourages children to explore.

Kingston Artist Portia “Po” Chapman on a ladder polishing her "Strong and Growing Stronger" mural at night, showcasing crisp free-hand line-work and unique, hand-mixed colour blocks in a professional office installation.
High-resolution detail of the “Strong and Growing Stronger” mural by Portia “Po” Chapman. Po returned after-hours to ensure a gallery-quality finish.
A close-up of Kingston Artist Portia “Po” Chapman hand-painting the "Strong and Growing Stronger" mural with a small flat brush, showcasing uniform texture, deep color saturation, and crisp line-work.
Precision in execution: Po completing the final brushwork on the Strong mural. This level of sharpness and opacity is achieved through meticulous free-hand brush painting, ensuring the storytelling art remains brilliantly vivid from any viewing distance.

“Strong and Growing Stronger” is a 14′ x 6′ seamless mural that I built and painted in my Kingston art studio. The wall-to-wall mural was mounted on the second floor mezzanine of the new Strong Enterprises HQ building in Belleville, ON. The entire mural was painted by applying multiple thin coats of paint using small round artist brushes. It tells the story of the business’ 4 stages of growth. The site-specific piece was designed to perfectly merge with the building’s modern International low rise architecture.

A gallery-quality painted rawhide frame drum entitled "Sharing Wisdom: Tending to Nature's Little Ones" by Kingston Artist Portia “Po” Chapman, displayed on the rocky Kingston shoreline.
“Sharing Wisdom: Tending to Nature’s Little Ones” by Portia “Po” Chapman. This gallery-quality painted rawhide drum, now held in a private collection, features Po’s signature nature-focused colour-blocking and storytelling art style.
A gallery-quality painted rawhide frame drum by Kingston Artist Portia “Po” Chapman entitled "Sharing Wisdom," displayed on a wooden stand against a lush green cedar backdrop.
“Sharing Wisdom: Nurturing Nature’s Little Ones” (a Tree-Hugging Tribute) by Portia “Po” Chapman. The second in a Storytelling Art triptych, this sold piece features hand-mixed colours and natural rawhide representing skin and tree bark, illustrating a narrative of aging, connection, and ancestral presence.

The two “Sharing Wisdom…” painted rawhide art drums were first created for gallery displays. I made the drums out of the same bison rawhide. TTNLO’s is the most exhibited rawhide painting in my collection and was featured in the Kingston Artists’ Showcase. It is also the artwork for Month October in the local MP 2026 calendar. The pair of story-telling pieces exemplify my exploration of circular composition and colour theory. In the large drum, the sapling is being planted. In the smaller drum, the tree and figures have grown older and are now hugging each other.

A custom-made Storytelling Art frame drum by Kingston Artist Portia “Po” Chapman, featuring a vibrant Brazilian narrative with a hand-stained red oak frame and custom-mixed paint on rawhide.
Custom International Commission: A Brazilian Story. Portia “Po” Chapman hand-stained the red oak frame and mixed a specialized colour palette to execute this collector’s personal narrative through storytelling art.
Kingston Artist Portia “Po” Chapman posing in front of her 15-piece "Drumming Sounds of Colour" exhibition display at the John M. Parrott Gallery, featuring multiple gallery-quality painted rawhide frame drums.
Po at the 2023 “Drumming Sounds of Colour” solo exhibit. The display showcases her technical skill in storytelling art across various frame drum sizes, including the pink and natural rawhide showpiece featuring her professional logo.

The drum with the pink dolphin was completely created for a client from Rio de Janeiro. She wanted her most fond memories of her homeland painted upon its face. For this piece, I steam bent read oak and stained the frame with a custom colour.

The photo of me with my drums was taken of me sitting with my first 15 piece solo storytelling drum exhibition. Each painted drum told a story of my life from a little child growing up in the woods up to the time I moved to Kingston to earn my BFAH from Queen’s University.

A custom-made Storytelling Art frame drum by Kingston Artist Portia “Po” Chapman, depicting a father and his children beneath the Northern Lights, created for an Indigenous art collector.
Custom storytelling art by Portia “Po” Chapman. This handmade frame drum tells the narrative of a loving father and his children under the Northern Lights, commissioned by an Indigenous art collector to honour family and heritage.
Kingston Artist Portia “Po” Chapman in her studio, meticulously hand-painting a custom rawhide frame drum for a collector using a small round artist brush.
Po in her Kingston studio, executing the intricate hand-painted details on the “Barry” custom drum. This image highlights the technical know-how required to translate a personal family narrative onto a handmade rawhide surface.

The “Barry” drum commission highlights my professional technical skills in my studio setting. By valuing the client’s specific direction, I translated his vision into a high-impact storytelling art piece. Being a drum maker, I look forward to a challenge. To make the drum frame, I carefully coiled the steamed red oak in my Kingston art studio. The image features the father and his children looking at the Northern Lights while the silver moonlight drifts across Lake Superior. It was a true honour to celebrate his life story by creating this custom order drum.

A vibrant, full-colour Storytelling Art illustration of Turtle Island by Kingston Artist Portia “Po” Chapman, featured as cover art and chapter illustrations for the book "Ways of Being in the World..."
Portia “Po” Chapman’s interpretation of Turtle Island, created for the book “Ways of Being in the World…” This lead illustration, accompanied by five black-and-white chapter works, was developed collaboratively with the editor and publisher to tell a parallel story to the text.
The book cover of Ways of Being in the World: An Introduction to Indigenous Philosophies of Turtle Island, featuring a vibrant circular Storytelling Art illustration by Kingston Artist Portia “Po” Chapman.
“Ways of Being in the World,” edited by Andrea Sullivan-Clarke and published by Broadview Press. The cover features Po’s storytelling art interpretation of Turtle Island, which was created collaboratively in real-time with the editorial team to perfectly reflect the book’s narrative.

The “Ways of Being…” book illustrations were created through collaboration with the editor and publisher. I was inspired by the book text and key words. This project required me to research Indigenous research references spanning North America. The illustrations were created as part of the writing; they both tell the story of the writing and stand alone as storytelling components. After going to print, an e-book was published. Due to the precisely crisp imagery and line-work, the files easily integrated into the e-textbook format.

A vibrant, circular Storytelling Art illustration entitled "Nature's Helping Hands" by Kingston Artist Portia “Po” Chapman, licensed for the 2025 Creative City conference.
“Nature’s Helping Hands” by Portia “Po” Chapman. Originally a rawhide painting for the Noel Bullock Gallery, Po converted this storytelling art piece into a digital illustration for a limited-use license with Creative City Network of Canada for their 2025 fall conference in Kingston, ON.
A photograph of a 2025 Creative City Impact Award plaque featuring the circular Storytelling Art illustration "Nature's Helping Hands" by Kingston Artist Portia “Po” Chapman.
Professional Licensing: “Nature’s Helping Hands” featured on the 2025 Creative City Impact Awards. Po’s storytelling art transitioned from a rawhide painting to a high-fidelity digital illustration, maintaining its vivid clarity for national professional recognition.

“Nature’s Helping Hands” demonstrates my professional expertise in storytelling art licensing. For this usage, my client requested a licensing agreement to use an image that I had already created. Since they chose an image that I originally painted on an irregular shaped drum for exhibition, I redrafted it into a precise circular digital format. This high-impact execution ensured the artwork remained 100% visible on the national Creative City Impact Awards. Licensing artwork is a cost effective method of using artwork that need not be specifically created for the usage purpose.

A circular Storytelling Art narrative logo by Kingston Artist Portia “Po” Chapman, featuring a howling wolf, mountain ranges, and community motifs in vibrant pink, yellow, and blue hues.
A custom narrative logo created by Portia “Po” Chapman for an Indigenous-owned West Coast construction and land development company. The imagery tells a story of community, heritage, and the natural landscape.
A circular Storytelling Art narrative logo by Kingston Artist Portia “Po” Chapman, featuring a pink raven with a golden moon halo, lavender mountains, and community figures.
Custom Narrative Logo. Created by Portia “Po” Chapman for the subbusiness of the Indigenous-owned West Coast construction firm, this piece features a powerful raven and lavender mountains as a nod to British Columbia.

Narrative logos are becoming more and more popular among my clients. The tradition of narrative images is grounded in Indigenous storytelling. For these logos, I listened to the client’s stories and drew upon historical and geographical research specific to the client’s region. The key, for me, to designing the visual story is listening to the client; hearing the passion and dreams that the client shares about the client’s past, present and future. It is from a place of gratitude and honour that I create these narrative artworks.

A vibrant Storytelling Art digital illustration entitled "Elder in Residence" by Kingston Artist Portia “Po” Chapman, featuring a howling wolf and celestial motifs, created for the Queen’s University Faculty of Education.
“Elder in Residence” by Portia “Po” Chapman. Part of a seven-piece series commissioned for the Queen’s University Faculty of Education website, this storytelling art piece visualizes the guidance and presence of the Faculty’s Elder in Residence.
Kingston Artist Portia “Po” Chapman holding and drumming the "Elder in Residence" painted rawhide frame drum, part of the permanent art collection at Queen’s University Faculty of Education.
Moving from digital concept to permanent execution. Following the success of her digital illustration series, Po was commissioned to create this hand-painted rawhide drum for the Queen’s University Faculty of Education’s permanent collection.

The Queen’s University Office of Indigenous Initiatives was my first web-series commission. It consisted of 10 circular digital icons based on provided key words. Then about a year later, the Faculty of Education commissioned me to create a 7-piece series for their website. As an example, the “Elder in Residence” image was designed to celebrate the position and of the Elder in Residence. Upon completion, the Faculty ordered a drum with the painted image. This was achieved by using the crisp imagery coupled with my flat painting technique.

Please write the photo meta data for this file. I was commissioned by King Township, ON, to create an image series of 3 formats: square, portrait and landscape. The purpose of the project was to create a high impact, full-colour image onto which they placed their "Land Acknowledgement." To create this illustration, I researched the Indigenous and Settler history. I also ran a brief survey to hear the thoughts and stories of the area from primary stakeholder. This was, once again a collaborative project since the art piece bridged history and contemporary developments and cultural viewpoints. There were 5 points that parties specified: the Oak Ridges Moraine, vast green spaces and fields, open blue skies, fall colours, and farming. On these aspects, it seemed that every party agreed. So, I created this illustration.
Commissioned by King Township, ON, this illustration by Portia “Po” Chapman serves as the visual foundation for the Township’s Land Acknowledgement. The piece was developed through storytelling art research, stakeholder surveys, and a collaborative bridging of history and contemporary culture. The Land Acknowledgement text was provided by King Township.
A municipal Land Acknowledgement sign featuring Portia “Po” Chapman’s Storytelling Art illustration, installed in a King Township garden alongside an Indigenous mural and butterfly art sculpture.
Community Integration: Portia “Po” Chapman’s storytelling art on a permanent King Township Land Acknowledgement sign. The installation is part of a collaborative municipal garden project, standing alongside an Indigenous mural and butterfly art sculpture.

Creative placemaking involves community storytelling. It is a really rewarding art service that I offer. Through community involvement, a mutual appreciation for the ‘place’ is established while merging history with future aspirations, making for a rich journey, whereby multiple stakeholders have a voice. This sentiment was warmly true through the creation of King Township’s Land Acknowledgement image series. In this case, the artwork was used for signage. Municipal art projects like these present the municipality as approachable, thus encouraging community togetherness.

A professional digital mock-up by Kingston Artist Portia “Po” Chapman for the Robert Bruce Memorial Parking Garage, featuring a series of ten vibrant flower panels designed for high-impact urban placemaking.
Mockup of Po’s site-specific proposal for the Robert Bruce Memorial Parking Garage. The ten-panel series uses storytelling art to elegantly reflect the downtown core’s flora, architecture, and vibrant nightlife.
A vibrant Storytelling Art digital illustration of colourful flowers by Kingston Artist Portia “Po” Chapman, created as part of a 10-piece set for the City of Kingston Garage Art competition shortlist.
One of ten digital illustrations created by Portia “Po” Chapman for the City of Kingston Garage Art competition. Shortlisted for this site-specific public art project, the series features Po’s signature nature-inspired colour-blocking designed for downtown urban placemaking.

Large scale public art has taken a shift over recent years. With the advent of signage technologies like shrink wrapping, digital creations can now jump from the computer or tablet to the exterior walls of buildings. Although these types of image usages may appear as murals, they are more like stickers made from digital files. In short, they are printed digital illustrations. When I create site-specific art, whether interior or exterior, I create mockup images for my clients. I find that CAD drawings and/or Photoshop technologies are exceptionally helpful when establishing the briefs that ultimately guide the projects.

I value a positive, collaborative process that respects the direction and stories of every business, organization and collector with whom I work. My clients trust me to provide the technical know-how and professional oversight required to move from an initial creative concept to a high-end execution – delivered on time and as envisioned.

I hope that you find my artwork inspirational, uplifting, welcoming and most of all, BEAUTIFUL!

I am often asked why I create attention grabbing, beautiful artworks, that generate discussion and the mutual sharing of stories. My response is always:

Portia “Po” Chapman, Kingston Artist

Specializing in: Community Placemaking, Storytelling Art Research, Project Execution

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