Portia Chapman, Portia's Adventures, Uncategorized

Kingston Artist, Portia “Po” Chapman Completes Over 45 Art Pieces in 18 Months

Kingston Artist, Portia “Po” Chapman Completes Over 45 Art Pieces in 18 Months
Kingston Freelance Commission Artist Portia Po Chapman Posing with Stone Lithograph Donation to the South Shore Joint Initiative in Prince Edward County

It is difficult to believe, but it is true. I had lost track. How funny is that!? As they say: “It never feels like work when you love what you do.” I guess, when not sleeping, I am creating. With that said, I often wake up suddenly with an art project idea and quickly sketch it down on a pad of paper that I keep on my bedside table. So, maybe I am working, even in my dreams.

Also, since my 25th birthday in April 2022, I have had a lot of life altering things happen. My family and I moved our home from Belleville to Kingston, and I received a couple new teaching positions. As both a treat and necessity, I even bought my first vehicle. Although the move had its challenging moments, it provided me with space for a small gallery, a bright meeting space and mural painting room, plus a rough space for wood working and drum building. I like to make most of my own hardwood stretchers and like to stretch my own canvas. This winter, I will be able to use a wood steamer that I built in the summer. I can’t wait to bend my drum frames and circular painting stretchers. As you can imagine, life as an artist is never boring.

As an emerging artist it is really exciting as my art is growing in popularity. While preparing competition documents for a current mural commission, I put together a snapshot of my most recent art and art-related projects. As strange as it may sound, I surprised myself. I knew that I had been busy, but when I compiled it in a list, I was like: “Wow, I guess I have done a lot.” The following is the rough list that I compiled. You can read more about these projects in my CV.

 29 Freelance Commissioned Pieces:

– 7 digital web icons – Queen’s University
– 1 painted drum – Queen’s
– 2 painted drums – Private Commission
– 2 exterior murals – Base31
– 1 interior mural – Base31
– 5 Sensory Garden signs – Base31
– 2 digital border templates – Base31
– 1 interior mural – Queen’s
– 1 book cover digital to print image – Broadview Press
– 5 title page digital to print images – Broadview Press
– 1 logo digital to web and print – Kingston School of Art
– 1 logo digital to web and print – WEYTK Communities Inc. (B.C.)

3 Philanthropic Art Donations:

– 1 painting – QAC/Parrott Art Gallery
– 1 art print stone lithograph – PEC South Shore Joint Initiative (created 2018)
– 1 painting – PEC SSJI

3 Gallery Showings:

– “Must We Wear Heals” sculpture / cast (created 2017) – Parrott Art Gallery
– “Emergence: Future Unknown” painting – QAC / Parrott Art Gallery
– “Drumming Sounds of Colour” 15 piece solo painted drum exhibit – Parrott Art Gallery

Additional Fall 2023 Art and Art-Related Projects:

– 5 Sensory Garden signs – Base31
– 3 large painted drums – WEYTK
– Mural reveal presentation – Base31
– Drum exhibit art talk – Parrott Art Gallery
– Concurrent Education seminar leader – Queen’s
– Artist in Community presentation and workshop leader – Queen’s
– Nursing medical textbook cover
– Drum creation for spring show & sale
– Ongoing paintings

Art Teaching:

– Elementary online Itinerant Art Teacher – ALCDSB
– Grades 9 & 10 Visual Art PECI
– Grades 9 – 12 Visual Art – Regi & HC, ALCDSB
– 5 monthly Creation Stations – Agnes Etherington Art Centre
– 1 March Break Art & Sports Camp – Agnes
– 1 Summer Art & Sports Camp – Agnes
– 1 digital online video children’s story book – Youtube

Additional Art Training:

– Teaching Gr 12 Media Art – University of Windsor
– Teaching International Baccalaureate Visual Art – University of Windsor

Features:

– Kingston in Focus
– QAC Umbrella (this winter 2024)
– QAC Member Spotlight
– County Arts Member Spotlight

Volunteer:

Tett Centre for Creativity and Learning, Kingston – Training November 2023

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia “Po” Chapman’s Kingston Art Studio is a Place to Create

Portia “Po” Chapman’s Kingston Art Studio is a Place to Create

My new studio is a place for me to create, have zoom meetings with clients and present my artworks. I do not have a walk-in store location at this time. Thank you for you understanding.

Love Art By Po Portia Chapman Kingston Art Studio and Creation Space Exterior Road Sign and Flowers on Front Wall of White Brick House

It dawned on me that I have not posted any photos of my new Kingston Art Studio. Although I do miss being down on Bagot Street (I adore downtown Kingston), the suburbs in the north end provide me with more creation space, easy access to building supply stores, Michaels, and the my much needed inspiration trips into the countryside north of HWY 401. The following photos are of my space where I create:

Love Art By Po Portia Chapman Kingston Art Gallery Welcome Wall with  Name Sign, Hand Drum with Painted Pink Logo and Self Portrait Oil Painting
Love Art By Po Portia Chapman Kingston Art Studio Gallery Art Prints
Love Art By Po Portia Chapman Kingston Art Studio Indigenous Hand Drum Antique Cabinet and Prints
Love Art By Po Portia Chapman Kingston Art Studio Entrance Gallery Wall with 2 Art Prints and 1 Pink Tulip Painting
Love Art By Po Portia Chapman's Kingston Art Studio Entrance with Sculpture of Feet and Reflections of Artwork
Love Art By Po Portia Chapman Standing in the Painting Room Entrance of Her Kingston Art Studio Gallery
Love Art By Po Portia Chapman Standing in Her Kingston Art Studio with Finished Mural Building a Bright Future Greet Freelance Commission Clients
Love Art By Po Portia Chapman's Kingston Art Studio Has a Quiet Meditation Space Outside with a Statue of the Blessed Virgin Mary
Love Art By Po Portia Chapman Kingston Art Studio View of Sunset is a Pink Sky
Art News, Portia Chapman

Portia “Po” Chapman Becomes Agnes Etherington Art Centre Art Educator

Portia “Po” Chapman Becomes Agnes Etherington Art Centre Art Educator

In September 2022, I was thrilled to receive an email from the Program Coordinator, Charlotte Gagnier, at the Agnes Etherington Art Centre (commonly called Agnes), inquiring if I would be interested in leading a couple of the gallery’s Creation Stations. Creation Stations at Agnes, are free family (with children ages 2+) arts days that occur once a month. Being a very family oriented artist, who views parents/guardians fostering and encouraging arts experimentation among their children from a young age, this was an opportunity that I was excited to be a part of. At first I was signed on for 3 Creation Station sessions in October, November, and December of 2022, and have now been signed on as Art Educator for more at Agnes. I just completed leading the art segment of Agnes’ Art and Sports March Break camp (in partnership with Queen’s ARC) and the March 2023 Creation Station, and I am signed on to lead the April 2023 Creation Station as well. I could not be more thrilled about working with Agnes!

Funny thing is, a full circle scenario has taken place to get to this point! In my final year of the Concurrent Bachelor of Education program at Queen’s University, I was scheduled to complete a 3-week long practicum placement in the programming department at Agnes during March 2020. I was super excited for this opportunity and was in the placement for 1 day, until… just think about the timing for a second… the next day the Covid-19 pandemic was officially declared, and I was not able to return to the placement.

During this placement, I was going to help run the March Break camp, but of course this did not happen. I thought for about 3 years that I lost this opportunity and my time at Agnes was not going to come. Fast forward to March 2023, and I have now lead the 2023 March Break Camp! It was always meant to be, but just not at that time. I live my life putting full trust into the Creator, never looking back, and THIS is what happens.

Keep reading below to learn more about my Art Educator experience at the Agnes Etherington Art Centre, in Kingston, Ontario.

Creation Station

For Each Creation Station I have lead thus far, I have designed activities that use various art making skills that are attainable by 2 year olds up to adults, depending on how far the participant is able to or willing to take the possibilities. For each session, I prepare 3 different activities often involving making objects out of recycled cardboard, decoupage/collage, painting, printing, paper folding/quilling and other hands on crafty projects. Some activities have included using recycled cardboard to make small treasure boxes and decorative homes, collage scenery pictures, block printing using foam, and paper folded snowflakes to name a few of the activities and are often based on a theme such as the season during which the Creation Station takes place.

The March 2023 Creation Station took place on March 19, and was inspired by Springtime. Participants enjoyed making flower wreaths by cutting out and folding paper to make leaves and flowers, paper quilled trees, and spring themed still life paintings (based on a still life scene I set up).

2023 March Break Camp

For the 2023 Art segment of the Agnes March Break camp, I designed a week long project; Mixed Media Diorama making. The goal for this project, was that each camper would explore a wide variety of mediums and techniques throughout the piece by making small elements each day using a different medium or technique that come together at the end of the week to make a completed and cohesive diorama.

Throughout the week, campers learned new art terminology, used the creative process by creating a detailed plan with theme before beginning “the making” of their artwork, and explored diorama construction, watercolour techniques, paper mâché, paper quilling, clay sculpting, block printing, acrylic painting, scratchboard creation, and a 3D tissue paper craft. Campers enjoyed using a variety of mediums and techniques and leaving at the end of the week with completed dioramas.

On the last day of camp, most campers proudly stood in front of the group to present their completed dioramas, each with their own storyline and theme.

This was such a fun, memorable, and enjoyable program to lead!

Portia Chapman

Beneath the Paint: A Stretcher Like No Other

Beneath the Paint: A Stretcher Like No Other

Po standing with her stretcher without canvas.

Exciting things are happening with my commissioned 48″ X 48″ muralesque painting of “My Creation.”

Today, the final steps of the the stretcher creation journey before stretching the canvas were completed, and the canvas will hopefully be stretched with 12oz. cotton canvas by the end of tomorrow. The stretcher is different from most other canvas stretchers as I am using a solid face sign board with a stretcher frame attached made of red oak to create a stretcher with a statement-making depth of 2 1/4″.

These are the materials used as mentioned above.

I decided to make a stretcher with a solid surface on which to stretch the canvas to provide the following two things:

  • A layer of protection for hanging and transporting such a large piece
  • To assure the image is able to have a chic, flat, ‘muralesque’ appearance.
Stretcher hung on Po’s wall without canvas.

Not many know or even think about the process that goes on with a stretched painting before the paint even hits the canvas. However, as a sculptress, I find what you don’t see behind the painting just as amazing as the completed painting seen on the surface.

Here are some photos to document the stretcher making process:

Filling screw holes and any imperfections.
Sanding the corners and sharp edges so not to cut canvas.
Po priming the stretcher frame with Tri-Art Professional Quality Gesso.
Securing the hanging wire.

Keep coming back to my blog to see more updates ahead.

Po standing with her Golden SoFlat paint and stretcher without canvas. As you can see the stretcher has been moved out of the woodshop and into the painting studio.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

Portia Po Chapman Reveals New Hand Drum Materials – Thanks Bill Worb Furs!

Portia Po Chapman Reveals New Hand Drum Materials – Thanks Bill Worb Furs!

For my new collection of hand painted hand drums, I have been called to use sacred white cedar tree wood and elk rawhide. My supplier for these materials is Bill Worb Furs from Winnipeg, Manitoba. I hope this gives an idea of the size of the drums and the raw materials being used. The drum frames are 14″ in diameter.

I will post more information soon.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

The Inspirations of the “Truth” Illustration by Portia Po Chapman were Indigenous Story and Storytelling

The Inspirations of the “Truth” Illustration by Portia Po Chapman were Indigenous Story and Storytelling.

Portia Chapman’s Indigenous Illustrations Published

Indigenous Art Page

This week, during National Day for Truth and Reconciliation week, Queen’s University featured the Indigenous Illustration, “Truth.” I was commissioned to create these illustrations by the Queen’s Indigenous Initiatives Department for their website. Since then, the illustrations have been beautifully featured as integral elements to the Queen’s University Truth and Reconciliation Task Force Implementation Report – Year 3. This week, “Truth” is being shared on various sites, apps and pages. Also, a Zoom / Microsoft Teams background with the illustration was created so that you can use it for your meeting backgrounds, especially Queen’s departments today. Today is Orange Shirt Day – Every Child Matters. The following is a short video of me explaining the inspiration that guided my creation of this beautiful image.

Indigenous Story and Storytelling inspired me.

Since I wanted the illustrations to be interpretive, I struggled to provide art interpretations. But as I was creating these images, I could hear and see words. For this illustration, I kept seeing and hearing: “Truth.” But the truth that I kept repeatedly experiencing was not the word, but rather the action and essence of Truth. There were times that I could feel the Sprit of Truth guiding me as the spirit whispered in my ear with faint drumming and singing surrounding us.

As a visual storyteller with Indigenous heritage, generations of my ancestors were silenced as their/our culture was wiped from public display. It was only through story and storytelling did I learn my family’s story. It was because of story and storytelling that I grew to cherish my heritage and ancestry. Our truth may have been hidden from the general public, but it remained alive in our family. Now with my aging family, so many have died but their story is alive as ever.

In the illustration, you will notice a circle of people sharing stories of TRUTH. At the top of the gathering circle, there is a pinkish, larger figure. To me, she represents both Spirit and Clan Mother / Grandmother. She exudes story and the embodiment of truth. She is active and alive as she shares the Truth with the generations to follow her. The orangish space in the middle is a ceremonial fire gathering everyone together.

So as you can see, “Truth,” tells a living story or storytelling. After everything that has been lost, gained or changed over time, Indigenous STORY and STORYTELLING has continued to tell TRUTH!

As an integral part of the Truth and Reconciliation process, please hear the stories of Indigenous Peoples from across this land. It is through hearing the stories shared that we may all, in Truth, move forward together.

Portia Po Chapman using the “Truth” Zoom / Teams Background

https://www.queensu.ca

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Portia Chapman

Zhashkoonh ( Muskrat ): Nishnaabemowin Children’s Book by Portia Po Chapman

Zhashkoonh ( Muskrat ): Nishnaabemowin Children’s Book by Portia Po Chapman

During the Summer (2021), I began learning Nishnaabemowin. My Trent University Professor was Shirley Ida Williams. Professor Williams wrote the textbook for the course: “Eshkintam Nishinaabemang Mzinagan: Introduction to Nishnaabemowin.” On page iv, Professor Williams describes the dialect as, “The main dialect used in this manual is linguistically classified as Manitoulin Central dialect of Ojibwe and Odawa and is part of Eastern Ojibway and an offshoot of the Mother language of Algonkian.”

It was really exciting to begin my journey learning the language.

As part of the course, I wrote, read aloud, and illustrated my first children’s book in Nishnaabemowin. In this little video, you can read along with me.

Why did I choose to write about the Zhashkoonh ( Muskrat )? As well as being part of the creation story, I enjoyed watching the muskrats as I grew up along side the lake. They always seemed to be a bit more playful than the beavers. While they are tiny, they sure are mighty!

I hope you enjoy reading along with me! Maybe you too can learn few Nishnaabemowin words!

Click to visit my Indigenous Art page.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

Portia Po Chapman, Back in the Studio 2021 / 22

2 weeks after completing my Bachelor of Education in August 2020 (Secondary School Teacher of Visual Art and First Nations, Metis and Inuit Studies) I secured my first teaching position.


I was planning on creating a new collection of woodcut prints inspired by the illustrations I did for Queen’s University, but my teaching position and Additional Teaching Qualification courses occupied my time.


In order to focus more on my artwork, I am teaching less this year (2021/22). As so many of us have found our lives altered by Covid-19, I have found a new breath of creative energy.


If there ever was a time to create, now is that time!

I will be posting more of my art process and documentation. Please continue to check in.

I have 3 projects that I have begun. Well, some of the materials have arrived. I’m really excited about this year.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Chapman’s Indigenous Image Scratchboard Arting was Fun for All

Portia Chapman’s Indigenous Image Scratchboard Arting was Fun for All

This winter, as part of the Artist in Community Education Concentration at the Queen’s University Faculty of Education, we had the opportunity to host “Artings” in Duncan McArthur Hall.  I chose to do a scratchboard event.

Basically, an arting is a brief art workshop, often only one night and for one art project.  Our scratchboard arting was 45 minutes.  Participants were able to start and finish their art pieces in this brief time together.  It was so nice to see so many happy faces as participants left with their own finished artworks in hand.

Scratchboard 5
Scratchboard 1
Scratchboard 18
Scratchboard 15
Scratchboard 7

Before participants left to mount their artworks at home, each participant received a certificate of completion.  I can’t wait to host more artings this fall.

Thanks:

I would like to thank my supportive sister Jasmine Chapman (BEd CommTech) for photographing this event for me.  Not many sisters get to do their BEd together – but we did!

I would like to thank my ACE professor Aynne Johnston for integrating this fun arting opportunity into our concentration.  Artings are so fun, productive, and only take a short time to do.  If we all took an hour to create each week/month, just imagine how we could beautify our world together.

Po

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Chapman’s “Desk” Has Places to Go What is Your Learning Story?

Portia Chapman’s “Desk” Has Places to Go!

What is Your Learning Story?

desk learning is a journey
“Desk” was Digitally Inserted into My Photograph – Windsor, Ontario

As an Art Teacher and Teacher of First Nations, Métis, and Inuit Studies, I hope to take “Desk” on a learning tour. Covid-19 has taught us that learning happens everywhere in life – if we are willing to learn. The classroom suddenly became our living rooms, bedrooms, and even our cars.

We kept learning during a time that prevented us from going to the school building. I want to take “Desk” on a journey across the country.

A moving journey across our great land whereby each stop along the way invites people to sit at “Desk” and to tell their stories of learning. I really, really like school – sharing, learning, teaching, and so much more.

As the artist, I so aspire for “Desk” to remind all of us that we must not move backward – we must keep moving forward. Learning is everywhere and learning flourishes when we share our stories together.

desk learning everywhere
“Desk” was Digitally Inserted into My Photograph – Toronto, Ontario

This is “Desk” in the studio:

39
“Desk” by Portia “Po” Chapman, 2019 – In the Studio
 

“Desk” Artist Statement & Story with Additional Photos Including Construction

Po

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975