How Po Makes Hand Drums, Portia Chapman, Uncategorized

The Sacred History of Frame Drums and the Empowerment of Women Across Cultures

The Sacred History of Frame Drums and the Empowerment of Women Across Cultures

By Po โ€“ Woman Drum Maker & Drum Artist, Kingston ON
https://loveartbypo.wordpress.com/product-painted-hand-drums-kingston-artist-portia-po-chapman/

For thousands of years, long before written histories, the heartbeat of the frame drum echoed through ceremonies, celebrations, healing practices, and spiritual rituals around the world. What many people donโ€™t know is that the frame drumโ€”one of the oldest known instrumentsโ€”has an especially profound and empowering connection to women.

Across continents, cultures, and centuries, women were the primary keepers of rhythm, voice, and ceremony. The frame drum was not only an instrument; it was a symbol of feminine power, intuition, and the ability to bridge the physical and spiritual worlds.

As a contemporary woman frame drum maker and artist in Kingston, Ontario, Iโ€™m deeply inspired by this lineage. This article explores the rich, global history of the frame drum and its long-standing relationship with women’s empowerment.


Ancient Mesopotamia: Drumming as Divine Feminine Power

One of the earliest depictions of women drumming comes from ancient Mesopotamia, where priestesses of the goddess Inanna/Ishtar were shown holding frame drums in temple rituals. These women were spiritual leaders, healers, and cultural guides.

The drum, here, symbolized:

  • Womenโ€™s connection to sacred cycles
  • Their authority in ceremonial life
  • The rhythmic energy of creation itself

The frame drum wasnโ€™t just an instrumentโ€”it was a tool of spiritual and social leadership.


The Middle East & Mediterranean: Priestesses, Midwives, and Healers

In cultures across Turkey, Egypt, Greece, and Rome, women were the primary drummers during rites of fertility, healing, birth, and death.

In ancient Egypt, women used frame drums in temple rituals dedicated to Hathor and Sekhmetโ€”goddesses connected to feminine strength, intuition, and protection.

In Greece, the tambourine-like tympanon was played almost exclusively by women affiliated with goddess cults, such as those of Cybele and Dionysus.

In the Levant, women drummed during birth rituals, blessing the arrival of new life with rhythm.

Here, drumming represented the cyclical rhythm of womanhoodโ€”birth, transformation, creativity, mourning, and celebration.


Indigenous North American Traditions: Drums as Carriers of Story, Spirit, and Identity

Across many Indigenous cultures in North America, women traditionally played drums for:

  • Ceremony
  • Storytelling
  • Healing
  • Community leadership

The drum is often seen as the heartbeat of Mother Earth, carrying prayers and intention. While each Nation has its own practices, women have long held vital roles as singers, drummers, and creators of hand drumsโ€”especially in matrilineal societies.

Today, Indigenous women continue to reclaim and revitalize drum teachings, reinforcing cultural strength and identity. This reclamation is a powerful act of resilience and empowerment.


Northern & Eastern Europe: Women as Ritual Drummers and Seers

Archaeological and oral histories from Ireland, Scandinavia, the Baltics, and Siberia show that women used frame drums in shamanic and divination practices. The drum was believed to open pathways to the unseen world.

Women drummers were often:

  • Healers
  • Midwives
  • Ritual leaders
  • Carriers of ancestral knowledge

In Sรกmi culture, both men and women used ceremonial drums, but women were often recognized as strong intuitive leadersโ€”those who could โ€œhearโ€ what rhythm was saying.

https://jwa.org/sites/default/files/mediaobjects/women_and_hand_drums_terracotta.jpg

Central Asia & the Middle East: The Daf and Womenโ€™s Healing Circles

For centuries, the daf, a large frame drum, has been central to womenโ€™s gatherings in Iran, Kurdistan, and surrounding regions.

Women used the drum to:

  • Celebrate weddings
  • Mark rites of passage
  • Perform healing dances
  • Build community solidarity

The daf carries a deeply spiritual vibration, and in Sufi tradition, women daf players continue to lead devotional music that uplifts and transforms.


When Womenโ€™s Drumming Was Suppressedโ€”And When It Returned

As patriarchal systems grew across many cultures, womenโ€™s roles as drummers, spiritual leaders, and healers were gradually diminished or erased. Some places even banned women from drumming entirely.

But the beat never disappeared.
Women held onto drumming quietly in:

  • Kitchen gatherings
  • Birth rituals
  • Folk celebrations
  • Personal spiritual practice

By the late 20th and early 21st centuries, a global revival began. Women around the world started reclaiming the frame drumโ€”remembering an ancient calling.


The Modern Revival: Drumming as Healing, Empowerment, and Reconnection

Today, the frame drum has re-emerged as a powerful symbol of women’s empowerment. Women are:

  • Making their own drums
  • Leading drum circles
  • Reconnecting with ancestral rhythms
  • Using drumming for trauma healing
  • Teaching drumming as a form of voice reclamation
  • Celebrating identity and community through rhythm

Contemporary female artists and makersโ€”like myselfโ€”are part of a global movement restoring the drumโ€™s original connection to feminine strength.

The frame drum reminds us:
We are rhythmic beings.
We are carriers of story.
We are creators.
We are connected.


Why I Make Drums as a Woman Artist

As a drum maker, painter, and musician in Kingston, ON, I create frame drums not only as instruments, but as carriers of meaning – a living storytelling art.

Each drum I paint or make by hand honours:

  • The strength of women
  • The historic lineage of feminine drumming
  • The healing vibration of sound
  • The power of personal storytelling
  • The beauty of Creation

Explore my hand-painted drums here:
๐Ÿ‘‰ https://loveartbypo.wordpress.com/product-painted-hand-drums-kingston-artist-portia-po-chapman/

Every drum is nurtured – Every drum made with LOVE.

I look forward to making a custom drum for you!

Contact me to book your complimentary e-consultation and we can collaborate a drum design that reflects your voice, your journey, and tells your story.

Request a Custom Project Quote

One response to “The Sacred History of Frame Drums and the Empowerment of Women Across Cultures”

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Artist Portia Po Chapman Mural, Portia Chapman, Uncategorized

Transform Your Kingston Business With a Hand-Painted Mural

Kingston Mural Artist Po hand painted mural in corporate office building
Kingston artist Portia Po Chapman’s mural, “Strong and Growing Stronger” mounted on the second floor of the new Strong Enterprises Headquarters building in Belleville, Ontario. 2025

Kingston Business Murals | Hand-Painted, Original, Vivid Wall Art by Po

Your Kingston business deserves more than generic dรฉcor. A hand-painted mural does more than fill a wall โ€” it communicates your brand, energizes the space, and creates a lasting impression.

Unlike digital prints or spray-painted walls, my murals are entirely hand-painted with vivid, crisp organic colour blocking. Every line, edge, and colour is intentional, resulting in murals that feel alive and unmistakably original.

Benefits for your business:

  • Brand identity: Your mural tells your story visually.
  • Customer experience: Clients spend more time in spaces that are engaging and beautiful.
  • Social impact: A striking mural encourages sharing and word-of-mouth marketing.
  • Employee inspiration: Vibrant art energizes your team and workplace atmosphere.

From cafรฉs and studios to offices and public spaces, Kingston businesses have embraced hand-painted murals because they combine art, branding, and space transformation in one unforgettable experience.

More about Po’s Murals

If youโ€™re ready to create a mural that sets your business apart โ€” bold, contemporary, and hand-painted โ€” letโ€™s collaborate to design a wall that leaves a lasting impression.

Request a Custom Project Quote

3 responses to “Transform Your Kingston Business With a Hand-Painted Mural”

  1. Linda Chapman Avatar
    Linda Chapman

    They are truly beautiful Po.

    1. Portia "Po" Chapman Avatar

      Ahhh. Thank you. I love what I do.

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Art News, Portia Chapman, Uncategorized

Truth Image Goes Viral: Kingston Artist Portia Po Chapman’s Indigenous Illustration for Queen’s University

Truth Image Goes Viral:
Kingston Artist Portia Po Chapman’s Indigenous Illustration for Queen’s University
Queen's University Truth Image Web Icon by Kingston Artist Portia Po Chapman Featuring an Indigenous Clan Mother Sharing Stories of Truth Around a Sacred Fire.  Around the Circular Outside Edge is a Sweetgrass Braid and Two Bald Eagle Feathers

The “Truth” image went viral during the week leading up to Canada’s first National Day for Truth and Reconciliation, Sept. 2021. Across Canada, the image was featured with an orange background. In this post, Po expands upon the image and how it’s popularity took off during that week, click here. The truth image was one of 10 Indigenous Themed icons that Po was commissioned to illustrate Indigenous “Ways of Knowing” for the Queen’s University Office of Indigenous Initiatives website in 2020.

Since then, the icons from the collection decorate and honour a multitude of Queen’s University documents and events. When Po created the icons, the brief was to create something similar to the University of Saskatchewan images. The brief that she was given went a step further, “but one-of-a-kind.” The commissioning committee wanted Po to create illustrations that distinguished Queen’s University from all other Universities. So, in short, the brief was like having one’s cake and being able to eat it too. To paraphrase the brief, one could say: “illustrate icons like U of S, but make them nothing like U of S.”

When Po offered her idea of creating circular icons, like buttons, that could be easily used across the University platforms, it was a NEW concept. Contemporary graphic circular Indigenous Illustrations were, in general, not being used by other Universities, so there was really no comparison at the time. It can be argued that if one sees circular, graphic icons like the ones the Queen’s University has, it was because Po and the OII created them first.

The icons also featured Po’s circular composition and artistic style that is inspired by wild grapevine silhouettes cast by the bright noonday sun.

It was quite the day, September 30, 2021, for Po who was inundated with a multitude of requests to use the “Truth” image because the public, somehow, began to view it as the new Orange Shirt Day for the “Every Child Matters” campaign. With each call, Po referred the people to the Queen’s OII because they commissioned the image.

Now that 3 National Days for Truth and Reconciliation have passed (Queen’s Gazette ), it seems that the public have adopted the image as another representation of Truth and Reconciliation during Orange Shirt Day. Here are some links to examples of where the image has been shared and/or published:
Womenโ€™s Shelter
Girl Guides of Canada
York School Board
Pickering College
Municipality of Dundurn
Newmarket Mayor’s Office
Fringe Toronto
Queens Arc
Queens Law

Po’s contemporary art style and circular imagery has been growing more popular since Queen’s University published the images on the OII website. This past September 2023 the Broadview Press Indigenous Philosophies of Turtle Island Anthology: Ways of Being in the World featured her artwork. The editor from Oklahoma , Andrea Sullivan-Clarke and University of Windsor professor contacted Po because of the Queen’s Page. Also a Salish construction and land development company (the branding has not yet been made public, so the images have net yet been publicly released for public viewing) commissioned Po to do their new logo and branding imagery based upon the “Elder in Residence” image from the Queen’s Faculty of Education Indigenous Initiatives.

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Chapman Curriculum Vitae: The Arts

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