Behind the Art, Behind the scenes, Drum December, Drum Works, How Po Makes Hand Drums, Indigenous Art, Kingston Artist, Po's Drum Making Process, Portia Chapman

Drum December Day 14: Stepping Into the Winter Workshop

Portia Po Chapman in a pink beanie and sunglasses smiling in front of the Love Art By Po studio sign for Drum December Day 14 Winter Workshop reveal.
Stepping into the winter workshop for Day 14! The real-time race to New Year’s Eve begins.

From Summer Bends to New Year’s Song: The Real-Time Race to December 27

Welcome to Day 14! The seasons have shifted, and it is officially winter here at the Love Art By Po studio. As I toss this fresh Kingston snow into the air, I am inviting you to step out of the summer archives and follow along with the Drum December real-time videos from inside my workshop, where it is warm.

We have finally moved back into the winter wood shop to finish the frames that we have been working on throughout the first thirteen days of Drum December. Sitting here at my bench, surrounded by some of the cherry, maple white oak frames I crafted in the heat of the summer, the journey ahead feels both exciting and urgent. On New Year’s Eve, I plan to drum a drum made from one of these hardwood dry-bent drum frames.

It is December 22nd, and we are now in real-time. My goal is to transform this raw white oak frame into a finished work of art—much like this sanded, green-stained, and varnished maple frame beside me (featured in the video below).

The clock is ticking toward my December 27th deadline. We must have the frame ready to string by then so the rawhide has the time it needs to dry, allowing us to drum in the New Year together.

Between Christmas celebrations and family gatherings over the next four days, I will be balancing holiday joy with shop discipline. To transform these raw summer hoops into a finished masterpiece, I need to follow these specific steps:

The 8-Step Sprint to Stringing

  1. Level the Joint: Using a drum sander, I’ll sand the joint edges. The goal is to make the overlapped ends appear as one continuous, seamless hoop.
  2. Progressive Sanding: I’ll sand the entire frame using 80, 120, and then 220 grit papers. It is vital to start coarse and transition progressively to the finest grit.
  3. Detail Work: Using a “mouse,” palm sander, or oscillating sander, I will delicately sand every inch until the wood is perfectly smooth and all scratch marks vanish.
  4. The Hand-Finished Touch: I’ll complete the final sanding by hand for total control.PRO-TIP: Do NOT use 400+ grit sandpaper. If the wood is too “polished,” the stain cannot penetrate effectively to reveal the beautiful, natural woodgrain.
  5. Custom Color: I’ll hand-mix a custom stain and apply it to the wood with a cloth to bring out its unique personality.
  6. The First Coat: The frame moves to the painting studio for its first layer of varnish.
  7. Refining the Finish: Once dry, I’ll lightly sand the varnished frame and wipe it down with a tack cloth to ensure it is dust-free.
  8. The Final Glow: I’ll apply the remaining coats. While I hope for two, sometimes it takes three or four to reach the perfect luster.

Why the Frame Matters

I treat my drum frames like a standalone piece of art because I choose not to fully cover the outside edge with the rawhide. I want the wood to highlight and accent the rawhide head, not just support it.

Come back tomorrow for Day 15 for the full drum sanding tutorial. It is truly amazing how rough, unfinished wood can be transformed to look like opaque stained glass.

See you tomorrow for Day 15!



Read more about my art and contact information at Love Art By Po and the many drums I make.

To contact me directly, please use this email:

📧 Portia@loveartbypo.ca

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Find Love Art by Po’s Portia “Po” Chapman Kingston Art studio on Google Maps at this link.

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