Behind the Art, Behind the scenes, Drum December, Drum Works, How Po Makes Hand Drums, Kingston Artist, Po's Drum Making Process, Portia Chapman, Uncategorized

Drum December Day 9 | Trimming the Drum Frame to Size

Kingston Artist Po pointing to the trim line. The white oak steam-bent drum frame sits on the chop saw awaiting the first trim.
Po trims the white oak to the desired drum frame size at her Kingston Art Studio

Kingston Artist, Portia “Po” Chapman trims the white oak drum frame to size at her studio.

On day 8, my trusty assistant compressed the dry bent oak to the size that I wanted for the finished drum to become. As he held it in place, I marked the board with a pencil. Day 9, also marks the mid stage of drum frame creation.

Once we cut off the white oak at yesterday’s pencil markings, we will see the drum frame coming into its drum shape for the first time. I have a smaller trim miter saw, but I prefer using my 12″ chop saw with a trimming tooth blade installed. The larger blade alleviates the fiddliness of cutting the large hoop with a small blade.


Oh, and this trim will remove the breakage that we found on day 6. Phew!

Come back tomorrow, Day 10, when we move on to our next stage of drum frame creation: gluing and dry-bending. The next couple days are going to be exciting; we are on the homeward stretch now.

Come back tomorrow for Day 10 – when we apply the glue. There are 4 types of glue that we can use, I will explain the options on Day 10.

New to the blog? Read more about Po and her art here.

See you tomorrow!

๐Ÿ“ง Portia@loveartbypo.ca

2 responses to “Drum December Day 9 | Trimming the Drum Frame to Size”

  1. Drum December Day 11 – How to Clamp a Drum Frame – Love Art by Po Avatar

    […] trimming the frame on Day 9, you are left with a piece of wood that has a massive 16-inch gap between the ends. It looks like a […]

Let Me Know What You Think! Start or Join the Convesation



Google Maps:
๐Ÿ‘‰ https://maps.app.goo.gl/w1x4JtnsLw39GbHd7

Behind the Art, Behind the scenes, Drum December, Drum Works, How Po Makes Hand Drums, Kingston Artist, Po's Drum Making Process, Portia Chapman, Uncategorized

Drum December Day 8 – Compressing and Marking the Drum Frame

On Day 8 of Drum December, at the Love Art By Po Kingston Art Studio, Po's assistant compresses the bent oak drum frame while Po marks the board where she will cut it on Day 9.
On Day 8 of Drum December, Po’s assistant compresses the bent oak while Po marks the board where she will cut it on Day 9.

Thank you for watching along as we engage on this drum making adventure. This is the first time that I have made a white oak drum frame and as you can see, it has been an adventure.

On Day 8 of Drum December, my assistant and I prepare the steam-bent white oak which is to be cut off in order to create my preferred drum diameter. The reason I mark the wood this way is because the best sounding drums have the least glue. So by marking it with both ends overlapping, I can judge how large the completed joint will become. I aim for a 2″ drum frame joint when the drum is complete.

For more information about Love Art by Po drums see here.

The Art of Compression Without Snapping the Frame

The process of compression without snapping the frame is exceptionally nuanced and requires much attention. This is the reason why I prefer dry-bending the final bend. The stunning personality of every piece of milled and bent timbre is felt as the compression reaches its limit. I have tried mechanical bending methods but those methods remove the connection with the fibres, and this process needs to be gentle and understanding.

Hugging Drums is Like Hugging Trees

Just because a tree is cut down and made into lumber, it never stops being a tree. I grew up listening to trees. For 18 years of my life, they sheltered me, comforted me, and taught me ancient lessons of beauty and strength. I met my ancestors as they stooped down, inviting me to sing as their branches drummed a beat for me to follow. In my second year of my BFA, the apple tree, that I used to climb as a child, died and began falling to the ground. In a way, I felt to blame for its loss of health.

You see, I left it in the field when I went away to University. So for my first large sculpture installation, I gave it back its voice by sculpting it back to its life giving form – even with birds nests and robin eggs. I could once agin hear it whisper. In the spring, when I returned to the field, the apple tree, at the very top, was growing leaves reaching to the sky. Today, as I make frame drums, it is my way of giving back to the trees – to hear their voices sing again. For me, I feel blessed to be a drum maker. It is a calling. It is LIFE! When shaping drum frames, I hug them just like I hug trees still able to stand. Every drum frame is realized out of love and respect.

To read more about Indigenous relationships with trees, follow this link. But please come back.

Gentleness Guided the Bend

For the compression, you will notice in the video, my assistant has rested the white oak on his lap. By doing so, he makes full contact with both sides of the new drum frame shape. He can feel the oak tighten and relax. He makes it look so easy after many years of woodworking, but this critical step truly requires inner stillness. After all, I learned to hug trees because of him. As he bends it, he can hear the oak say when it has coiled enough. Just as it reaches its chosen limit, I can sense it too.

This white oak, has required understanding more than the other hardwoods. But, when it reached its bend limit, instead of screaming out, it gave a relaxed sigh of relief, like it said: “Finally back home.”

Marking the Board

Due to the length of the video, it is unclear where I marked the piece. In this case, I marked it in two locations. Often, I do one continuous mark across both edges. Again, this is not a science. I wish that I could give a clear instruction, but it really is again about… Knowing the right spot(s).

To read more about my art practise, please click this link:

When I set out to write this post about this seemingly simple bend and mark, it was not my intention to share the spiritual, soulful relationship of bending drum frames. I guess, the ancestors thought that it was a good time to remind us that drum frames and drums are just as much part of this life as they were as trees. Please know that when you buy (adopt) one of the drums that I make, your drum has been nurtured into existence with care.

Come back tomorrow for Day 9 – the painful moment of cutting the frame to size.

See you tomorrow!

๐Ÿ“ง Portia@loveartbypo.ca

3 responses to “Drum December Day 8 – Compressing and Marking the Drum Frame”

  1. Drum December Day 10 | How to Glue Before Clamping Drum Frame – Love Art by Po Avatar

    […] To solve this, I developed a proprietary dry-bending technique. The wood is pre-bent and shaped before the glue is ever applied. You can see the foundation of this technique in my previous posts: Day 5, Day 7, and Day 8. […]

  2. Drum December Day 9 | Trimming the Drum Frame to Size – Love Art by Po Avatar

    […] day 8, my trusty assistant compressed the dry bent oak to the size that I wanted for the finished drum to […]

Let Me Know What You Think! Start or Join the Convesation

How Po Makes Hand Drums, Portia Chapman, Uncategorized

The Sacred History of Frame Drums and the Empowerment of Women Across Cultures

The Sacred History of Frame Drums and the Empowerment of Women Across Cultures

By Po โ€“ Woman Drum Maker & Drum Artist, Kingston ON
https://loveartbypo.wordpress.com/product-painted-hand-drums-kingston-artist-portia-po-chapman/

For thousands of years, long before written histories, the heartbeat of the frame drum echoed through ceremonies, celebrations, healing practices, and spiritual rituals around the world. What many people donโ€™t know is that the frame drumโ€”one of the oldest known instrumentsโ€”has an especially profound and empowering connection to women.

Across continents, cultures, and centuries, women were the primary keepers of rhythm, voice, and ceremony. The frame drum was not only an instrument; it was a symbol of feminine power, intuition, and the ability to bridge the physical and spiritual worlds.

As a contemporary woman frame drum maker and artist in Kingston, Ontario, Iโ€™m deeply inspired by this lineage. This article explores the rich, global history of the frame drum and its long-standing relationship with women’s empowerment.


Ancient Mesopotamia: Drumming as Divine Feminine Power

One of the earliest depictions of women drumming comes from ancient Mesopotamia, where priestesses of the goddess Inanna/Ishtar were shown holding frame drums in temple rituals. These women were spiritual leaders, healers, and cultural guides.

The drum, here, symbolized:

  • Womenโ€™s connection to sacred cycles
  • Their authority in ceremonial life
  • The rhythmic energy of creation itself

The frame drum wasnโ€™t just an instrumentโ€”it was a tool of spiritual and social leadership.


The Middle East & Mediterranean: Priestesses, Midwives, and Healers

In cultures across Turkey, Egypt, Greece, and Rome, women were the primary drummers during rites of fertility, healing, birth, and death.

In ancient Egypt, women used frame drums in temple rituals dedicated to Hathor and Sekhmetโ€”goddesses connected to feminine strength, intuition, and protection.

In Greece, the tambourine-like tympanon was played almost exclusively by women affiliated with goddess cults, such as those of Cybele and Dionysus.

In the Levant, women drummed during birth rituals, blessing the arrival of new life with rhythm.

Here, drumming represented the cyclical rhythm of womanhoodโ€”birth, transformation, creativity, mourning, and celebration.


Indigenous North American Traditions: Drums as Carriers of Story, Spirit, and Identity

Across many Indigenous cultures in North America, women traditionally played drums for:

  • Ceremony
  • Storytelling
  • Healing
  • Community leadership

The drum is often seen as the heartbeat of Mother Earth, carrying prayers and intention. While each Nation has its own practices, women have long held vital roles as singers, drummers, and creators of hand drumsโ€”especially in matrilineal societies.

Today, Indigenous women continue to reclaim and revitalize drum teachings, reinforcing cultural strength and identity. This reclamation is a powerful act of resilience and empowerment.


Northern & Eastern Europe: Women as Ritual Drummers and Seers

Archaeological and oral histories from Ireland, Scandinavia, the Baltics, and Siberia show that women used frame drums in shamanic and divination practices. The drum was believed to open pathways to the unseen world.

Women drummers were often:

  • Healers
  • Midwives
  • Ritual leaders
  • Carriers of ancestral knowledge

In Sรกmi culture, both men and women used ceremonial drums, but women were often recognized as strong intuitive leadersโ€”those who could โ€œhearโ€ what rhythm was saying.

https://jwa.org/sites/default/files/mediaobjects/women_and_hand_drums_terracotta.jpg

Central Asia & the Middle East: The Daf and Womenโ€™s Healing Circles

For centuries, the daf, a large frame drum, has been central to womenโ€™s gatherings in Iran, Kurdistan, and surrounding regions.

Women used the drum to:

  • Celebrate weddings
  • Mark rites of passage
  • Perform healing dances
  • Build community solidarity

The daf carries a deeply spiritual vibration, and in Sufi tradition, women daf players continue to lead devotional music that uplifts and transforms.


When Womenโ€™s Drumming Was Suppressedโ€”And When It Returned

As patriarchal systems grew across many cultures, womenโ€™s roles as drummers, spiritual leaders, and healers were gradually diminished or erased. Some places even banned women from drumming entirely.

But the beat never disappeared.
Women held onto drumming quietly in:

  • Kitchen gatherings
  • Birth rituals
  • Folk celebrations
  • Personal spiritual practice

By the late 20th and early 21st centuries, a global revival began. Women around the world started reclaiming the frame drumโ€”remembering an ancient calling.


The Modern Revival: Drumming as Healing, Empowerment, and Reconnection

Today, the frame drum has re-emerged as a powerful symbol of women’s empowerment. Women are:

  • Making their own drums
  • Leading drum circles
  • Reconnecting with ancestral rhythms
  • Using drumming for trauma healing
  • Teaching drumming as a form of voice reclamation
  • Celebrating identity and community through rhythm

Contemporary female artists and makersโ€”like myselfโ€”are part of a global movement restoring the drumโ€™s original connection to feminine strength.

The frame drum reminds us:
We are rhythmic beings.
We are carriers of story.
We are creators.
We are connected.


Why I Make Drums as a Woman Artist

As a drum maker, painter, and musician in Kingston, ON, I create frame drums not only as instruments, but as carriers of meaning – a living storytelling art.

Each drum I paint or make by hand honours:

  • The strength of women
  • The historic lineage of feminine drumming
  • The healing vibration of sound
  • The power of personal storytelling
  • The beauty of Creation

Explore my hand-painted drums here:
๐Ÿ‘‰ https://loveartbypo.wordpress.com/product-painted-hand-drums-kingston-artist-portia-po-chapman/

Every drum is nurtured – Every drum made with LOVE.

I look forward to making a custom drum for you!

Contact me to book your complimentary e-consultation and we can collaborate a drum design that reflects your voice, your journey, and tells your story.

Request a Custom Project Quote

One response to “The Sacred History of Frame Drums and the Empowerment of Women Across Cultures”

Let Me Know What You Think! Start or Join the Convesation