Behind the Art, Drum Works, How Po Makes Hand Drums, Portia Chapman, Studio Process

Drum December Begins at Po’s Studio

Hands bending a wooden drum frame over the knees of a person seated on grass.
Shaping the curve of a drum frame — one of the first steps in Po’s rhythm-making process.

Today marks the beginning of Drum December, a month-long glimpse into the rhythm and process inside Po’s Studio. Instead of presenting finished pieces, this series brings you into the quiet, hypnotic motions that form the foundation of Po’s drum works.

The first video is just five seconds long — a looping moment that feels like it could play forever. Simple. Repetitive. Almost meditative. It captures a small piece of the energy that moves through Po’s creative process: the balance of sound, gesture, material, and breath.

Po has always worked from rhythm. Whether she’s painting, shaping rawhide, or exploring new concepts for future installations, there’s a pulse beneath everything she creates. Drum December is a way to share that pulse with you — not through explanation, but through small, visual experiences.

Throughout the month, you’ll see short clips from the studio: textures, movements, tools, surfaces, patterns, and the making behind upcoming work. Some loops will be raw; some will be visually polished. All of them come from Po’s hands and her way of seeing.

This series also sets the stage for the work she is developing for her upcoming installation, where drums and light will play an important role. Think of Drum December as the first heartbeat of that larger project.

Thank you for stepping inside her studio.
More rhythm, more movement, and more behind-the-scenes moments will arrive soon.

Have a question about Drum December or Po’s Studio? Email Po’s Studio

— Artwork and murals by Portia “Po” Chapman, Love Art by Po

One response to “Drum December Begins at Po’s Studio”

  1. Drum December Day 11 – How to Clamp a Drum Frame – Love Art by Po Avatar

    […] for the final clamp. If you missed the early stages of this journey, you can catch up on Day 5 and Drum December Begins to see how we prepare the wood to be […]

Let Me Know What You Think! Start or Join the Convesation

Artist Portia Po Chapman Mural, Portia Chapman, Uncategorized

The Rich History of Hand-Painted Kitchen Murals: From Ancient Hearths to Modern Homes

Contemporary Kitchen Mural

History of Hand-Painted Kitchen Murals

Hand-painted kitchen murals may feel like a recent design trend, but their history stretches back thousands of years. As long as humans have gathered around food and fire, we have decorated the spaces where we cook, eat, and connect. These murals reflect cultural values, artistic innovation, and the evolution of the kitchen itself. (See the original sample kitchen without mural.)

Below is a journey through time exploring how kitchen murals began, how they changed, and why they continue to flourish today.

Ancient Beginnings: Art Around the HearthFrom Cave Paintings to Early Communal Kitchens

Long before contemporary kitchens existed, early humans adorned the walls of communal living spaces with painted symbols and scenes. The spaces where people prepared food were often decorated with images of animals, hunts, and daily life.

These early images did more than beautify spaces, they told stories, marked traditions, and connected communities.

Egyptian and Roman Domestic Art

In ancient Egypt, homes of wealthy families featured painted walls depicting food, agriculture, and abundance. These symbols reflected the household’s prosperity and honoured deities connected to nourishment.

The Romans pushed wall painting even further. In Pompeii and Herculaneum, frescoes decorated kitchens, pantries, and dining areas with images of fruits, fish, wines, and market scenes.

Medieval and Renaissance Kitchens: Function First, Decoration Later

During the Middle Ages, kitchens were utilitarian, smoky, and often separate from the main living quarters. Decoration was limited due to soot and open flames. Still, some monasteries and noble estates painted devotional symbols near hearths as blessings for safety and abundance.

With the Renaissance came a renewed interest in beauty within the home. Frescoes began appearing in dining halls and hearth rooms, including scenes of feasts, harvests, and nature. These early murals set the precedent for connecting kitchens and dining spaces with artistic expression.

The 17th–19th Centuries: Folk Art and Cultural Identity

As homes became cleaner and better ventilated, painted kitchen walls became more common, especially in rural communities.

European Folk Art Traditions

Regions such as:

  • Bavaria (Germany)
  • Scandinavia
  • Eastern Europe
    became known for bright, hand-painted kitchen motifs: flowers, birds, vines, and symbolic patterns.

These murals were typically done by local artisans or homeowners, making the designs deeply personal. They celebrated family heritage, religious beliefs, and seasonal cycles.

Colonial North America

Early North American settlers brought European traditions with them. Hand-painted stencils, sweeping floral garlands, and pastoral scenes decorated hearth rooms and kitchens. Many of these murals doubled as storytelling tools to record harvests, travels, or family events.

The Early 20th Century: Murals Meet Modern Design

As kitchens became more central to the home as gathering spaces, rather than just practical spaces, kitchen murals experienced a revival.

Arts & Crafts Movement

This movement celebrated craftsmanship and natural motifs. Hand-painted tiles and wall panels featuring fruits, flowers, and farm life became common, particularly in English and American kitchens.

Art Deco & Art Nouveau Eras

Sleek, stylized murals with geometric or botanical themes brought elegance to kitchens, often blending artistic flair with the era’s growing interest in beautifying the home.

Post-War Boom: Murals as Cheerful Homemaking

The 1950s and 1960s brought bright colors, optimism, and a quickly growing home décor industry.

Popular Themes Included:

  • Fruit baskets
  • Vineyards
  • Roosters and country motifs
  • Cheerful kitchen scenes
  • Checkerboard patterns
  • Decorative borders

Hand-painted murals and stencilling kits became widely available, allowing everyday people to personalize their kitchens for the first time.

Late 20th Century to Today: Custom Art for Modern Lifestyles

The contemporary kitchen is a social space, and murals have reemerged as a sophisticated and creative form of self-expression. Today’s hand-painted kitchen murals combine historical inspiration with contemporary design and technique.

Current Trends Reflect:

  • Nature and botanicals — a nod to earlier folk traditions
  • Food and wine themes — inspired by Roman and Tuscan frescoes
  • Minimalist line art — echoing modern aesthetics
  • Cultural motifs — celebrating heritage
  • Large-scale abstract murals — turning kitchens into art installations

Artisans now use durable paints, sealants, and washable surfaces, allowing murals to stand up to heat, moisture, and daily use.

Why Hand-Painted Kitchen Murals Remain Desired

Across centuries, cultures, and artistic movements, kitchen murals have persisted because they provide:

  • A personal story: They connect the homeowner to heritage, memory, and meaning.
  • A sense of warmth: Art transforms a utilitarian space into a welcoming space.
  • A celebration of food and community: Murals reinforce the kitchen’s emotional significance.
  • Timeless craftsmanship: Hand painting creates authenticity that printed murals can’t fully replicate.

Final Thoughts

The history of hand-painted kitchen murals is a history of home, family, and creativity. From ancient frescoes to contemporary custom artwork, these murals have always served as more than decoration; they are symbols of nourishment, heritage, family, and the beauty of everyday life.

Contact Po, if you’re ready to create a mural that sets your kitchen apart from your friends and families’ kitchens with a bold, contemporary, and hand-painted mural. Book your complimentary e-consultation and you can collaborate to design a wall that leaves a lasting impression and tells your story.

Request a Custom Project Quote

Let Me Know What You Think! Start or Join the Convesation

How Po Makes Hand Drums, Portia Chapman, Uncategorized

Photos of Portia Po Chapman Making Hand Drums During 2021-2023

Photos of Portia Po Chapman Making Hand Drums During 2021-2023

In the winter of 2024, Po began making hand-bent oak drum frames and in the summer she began making maple drum frames as well. All three, current (July 2024) drum frames available for hand drums have their own character, tone and resonance. Rawhide options include: 3 types of Deer, Moose, Elk, and Bison from across Canada.

Po unveiled some new drums at the 2024
Gather in the County: Modern Textile Market
in Picton ON on June 15, 2024

Po is currently producing a few how-to make hand drum videos using her special techniques. In the mean time, Po has created 3 blog posts that list the steps of making the drum frames, stretching the raw hide, and painting the faces of the drums. Drums made by Po are considered “PREMIUM.”

The hand drums in the 2023 collection were meticulously handmade by Po using the following method:

The end result is both a beautiful piece of art that you can display and one that you can use. Some skins are more suitable for drumming and others more suitable for display. This depends on a variety of factors. Po recommends choosing the one you love. If you need further assistance choosing your drum, someone will be happy to assist you.

All drum sales are final and without exchange or refund.

Po presented an Artist Talk about this Collection and Greeted Guests Gallery
on October 26, 2023 at 6:30pm-7:30pm

One Guest Commented: “It was a great pleasure to listen to Portia “Po” Chapman (@loveartbypo) talk about her art currently on display at Parrott Gallery. Po’s inspiration comes from her close relationship with nature and her beautiful family!”

Another Guest Commented: “It was such a wonderfully positive talk about a positive art collection. Very informative and truly enjoyable.”

How Po Makes Hand Drums, Portia Chapman, Uncategorized

How to Make a Drum Frame: Kingston Artist Portia Po Chapman’s Method

How to Make a Drum Frame: Kingston Artist Portia Po Chapman’s Method

Portia “Po” Chapman Hand Rubbing Paint into Cedar Drum Frame

Link to Phase 2 of Drum Making: Working with the Rawhide
Link to Phase 3 of Drum Making: Painting the Drum Face
Link to Drum Page

Phase 1 of Drum Making is Making / Preparing the Drum Frame

A drum frame takes me about weeks to make from start to finish. In my studio, I do all of the steps below. Please note that, I do employ a shop hand to help clamp and bend the steamed wood – this requires 2 sets of hands.

  • Purchase wood
  • Cut wood to desired thickness
  • Plane the wood smooth
  • Sand ends into wedges
  • Soak wood in the sun for 3 days
  • Steam the wood in the steam box
  • Rough bend the wood under boots
  • Shape flexible wood
  • Glue and clamp wood
  • Let wet wood dry 3 days
  • For coiled wood frames, the wood is planed very thinly and before gluing the coil is created by clamping and re-bending more tightly 3 times over a week’s time.
  • For both the hand bent in-studio frames and rough pre-coiled frames, the following steps are the same
  • Sand the frame to desired shape, thickness and smoothness
  • Paint, rub, dye or stain frame
  • Polish and finely sand frame
  • Varnish

I exhibit and sell the drums I make. Please contact me to purchase a completed drum of to discuss a custom hand drum made just for you. Drums range from $200-$2000.

Po Standing with Drum Booth
At the Gather in the County – Modern Textile Market – Picton, ON
June 15, 2024

Back to Painted Drums Page

Contact: portia@loveartbypo.ca

Portia Chapman, Portia's Adventures, Uncategorized

Visual Artist Portia Po Chapman Artworks and Biography: Additional Information

Visual Artist Portia Po Chapman Artworks and Biography: Additional Information

This post is under construction and will be edited/added onto . For listed information, view Po’s CV . For Po’s About info/page.


At A Glance Bio

Portia Keely Chapman (“Po”), is a Canadian (born 1997, Belleville, Ontario) emerging, contemporary visual artist illustrator and drum maker reclaiming her Indigenous Ancestry.  She created the Queen’s University Indigenous Illustration “Truth” which the University features each year on the annual National Day for Truth and Reconciliation.  The “Truth” image is one of eleven groundbreaking Indigenous illustrations that were first commissioned in 2020 as digital web icons by the Queen’s University Office of Indigenous Studies.  In 2022, a second set of icons was commissioned by the Faculty of Education for their Indigenous Initiatives.  Since 2020, Queen’s has incorporated the icons through the University documents, including the “Truth” image which has been featured on Orange Shirt Day by multiple organizations across Canada.

Chapman’s first published cover artwork was “My Creation” in 2017 by the ASUS Journal of Indigenous Studies that also, in the body of the journal, featured 3 additional artworks created by Chapman.  Her most recent cover artwork and chapter illustrations were commissioned by Broadview Press for the textbook: Ways of Being in the World, edited by Dr. Andrea Sullivan-Clarke.  The contemporary, custom designed, Indigenous themed images depict the subject matter and key words from the book.  They played a seamlessly integral role in the storytelling of the textbook as a whole.

Chapman is also known for her murals: “My Creation” in the Kingston Hall Reflection Room, and the Base31 public art “Warbler Watching” in the Aviator’s Garden, “Building a Bright Future” in the Lecture Hall, and “Exploring the Senses” in the Sensory Garden.  The two Base31 circular murals utilize a circular composition with a delicate fish-eye lens distortion.  Chapman developed the flow of the circular imagery, while creating the Queen’s icons.  The images draw the viewer’s eyes around the composition while simultaneously creating depth with the use of colour.  Because the murals use colour blocking rather than blending, Chapman creates shadow and highlights by clever placements of progressive tones rather than shades.  Although the viewer may at first interpret the colour becoming darker, as if simply adding different amounts of black to the hues, Chapman mixes different hues.  This sort of building dimension through hue variance closely replicates the organic aspect of nature.  By pulling the colours apart, Chapman has innovated a fractured tinting method that is perceived by the viewer as wholeness.  The 2 circular murals, commissioned by Base31, magnificently illustrate the effect because “Exploring the Senses” is 66” in diameter and is mounted about 12” above the ground.  The viewer can interact with the painting because it can seem that the viewer is standing within the image.  “Building a Bright Future” is 72” in diameter and has been constructed to appear as a very large drum with a 6” deep cedar frame. 

Chapman’s drum exhibition premiered October 7, 2023 at the Parrott Art Gallery in Belleville, Ontario.  It features hand painted hand drums that Chapman constructed.  The images embody a circular compositional movement more similar to the Queen’s icons.  Chapman wanted the images to move with the drum in any way that the drum is held.  The translucent acrylic paint upon the translucent elk raw hide creates a flat illusion of depth because the exceptionally thin paint casts shadows through the rawhide resulting in an illusion of the image floating above the skin.  Chapman prefers to paint upon stretched elk rawhide rather than canvas.  Chapman’s drums, painted and ready to paint drums, will be featured in June 2024 at the Picton Gather in the County arts and crafts show, at which she will demonstrate her painting method so that other artisans can paint their own drums in their studios.  Chapman views drum making as a meditative, spiritual art whereby the artist nurtures the drum into existence.    

Background

Portia Keely Chapman, lived in Stockdale, Ontario up until she was 4 years old. She then moved to her newly built cottage in the woods along the south shore of Moira Lake, just west of Tweed, Ontario.  Chapman’s family spent many years (2002-2017) invested in restoring the Land, upon which the Great Indigenous Battle of Chuncal Lake occurred in 17__. It was during this time, Po developed a very close relationship with the lake, the forest and the drumming pulse of Creation. Her characteristic art style and painted hand drum exhibition, “Drumming Sounds of Colour,” are inspired by her life experiences communing with woods and forest creatures. The bending images of her circular compositions are inspired by times when looking up at the sky amongst tall trees seeing them bend toward a focal point 80+ feet above her.   

Having attended St. Michael School and Nicholson Catholic College from 2010-2015 in Belleville, Ontario, in 2019 she moved to Belleville and established an art creation studio in her high rise apartment overlooking the Bay of Quinte.  During the Covid19 pandemic, Chapman taught art based programming at the ALCDSB Remote Learning School, while after school hours she filled multiple art commissions, negotiated contracts, conducted art planning meetings by Zoom, and made hand drums.  In the fall of 2022, Chapman expanded to a 3 room art studio in Kingston, Ontario.  Upon moving to Kingston, Chapman began teaching, Secondary School Visual Art classes for the ALCDSB, and community art workshops for youth and families at the Agnes Etherington Art Centre.  Between January 2022 and November 2023, Po completed 47 art pieces, 29 of which were commissioned works ranging from digital art and hand-painted murals to hand drums.  In September 2023, Chapman began teaching Adult Education in Kingston and Picton, Ontario and in November, she joined Kingston’s TETT Centre as a volunteer in order to help out fellow artists and artisans.

Art Awards

Chapman received her first art award in 2011.  At her grade 8 graduation, she was awarded the “Achievement Award in the Arts.”  In 2013, Chapman won the ALCDSB logo design contest.  The “Faith in Action,” logo was used by the school board for about 7 years.  It was displayed at the entrance of every school as well as on their website and printed documents.  At that time, Chapman had not yet taken a visual art course, privately or publicly.  The award recognition prompted her to commence art education in grade 11.  In the spring of 2015, Chapman was further recognized for her excellence as a young budding artist.  At her grade 12 graduation, Chapman received the “Top Marks Award for “Exploring and Creating the Arts,” “Sisters of Providence Award for the Arts,” and the Quinte Arts Council Bursary. Post graduation, Chapman received the Queen’s University Excellence Scholarship to study Visual Art in the BFAH Studio Art program.  At the BDIA Spring 2015 Student Art Contest, Chapman was awarded “Best in Show” for her 36”X48” Oil on Canvas, “Love Expressed.” Then at Chapman’s Queen’s BFAH Graduation she received the Queen’s Medal in Visual Art for having the highest overall GPA of all the BFAH graduates.

The following is a list of her local art awards:
2011 Achievement Award in the Arts
2013 Faith in Action Logo Contest Winner
2015 Top Marks Award for Exploring and Creating the Arts
2015 Sisters of Providence Award for the Arts
2015 Quinte Arts Council Bursary
2015 Queen’s University Excellence Award to study BFA Visual Arts
2015 BDIA Annual Student Art Competition Best in Show
2016 Tweed Agricultural Fair 1st in Open Class Special
2016 Tweed Agricultural Fair 1st in Wall Craft Home Decor
2019 Queen’s University Medal in Visual Art

Portia Chapman

How to Make a Paper Snow Globe – Po’s Arts and Crafts Corner

How to Make a Paper Snow Globe – Po’s Arts and Crafts Corner

Kingston Artist Portia Po Chapman Snow Globe Craft taught at Agnes Etherington Art Centre Creation Station How to Make a Paper Snow Globe

At the Agnes Etherington Art Centre Creation Station we made paper plate snow globes. The following is a print out sheet that you can use at home or school. The craft is intended for JK+. Adult supervision and assistance may be required. Have fun!

Portia Chapman, Portia's Adventures, Uncategorized

Kingston Artist, Portia “Po” Chapman Completes Over 45 Art Pieces in 18 Months

Kingston Artist, Portia “Po” Chapman Completes Over 45 Art Pieces in 18 Months
Kingston Freelance Commission Artist Portia Po Chapman Posing with Stone Lithograph Donation to the South Shore Joint Initiative in Prince Edward County

It is difficult to believe, but it is true. I had lost track. How funny is that!? As they say: “It never feels like work when you love what you do.” I guess, when not sleeping, I am creating. With that said, I often wake up suddenly with an art project idea and quickly sketch it down on a pad of paper that I keep on my bedside table. So, maybe I am working, even in my dreams.

Also, since my 25th birthday in April 2022, I have had a lot of life altering things happen. My family and I moved our home from Belleville to Kingston, and I received a couple new teaching positions. As both a treat and necessity, I even bought my first vehicle. Although the move had its challenging moments, it provided me with space for a small gallery, a bright meeting space and mural painting room, plus a rough space for wood working and drum building. I like to make most of my own hardwood stretchers and like to stretch my own canvas. This winter, I will be able to use a wood steamer that I built in the summer. I can’t wait to bend my drum frames and circular painting stretchers. As you can imagine, life as an artist is never boring.

As an emerging artist it is really exciting as my art is growing in popularity. While preparing competition documents for a current mural commission, I put together a snapshot of my most recent art and art-related projects. As strange as it may sound, I surprised myself. I knew that I had been busy, but when I compiled it in a list, I was like: “Wow, I guess I have done a lot.” The following is the rough list that I compiled. You can read more about these projects in my CV.

 29 Freelance Commissioned Pieces:

– 7 digital web icons – Queen’s University
– 1 painted drum – Queen’s
– 2 painted drums – Private Commission
– 2 exterior murals – Base31
– 1 interior mural – Base31
– 5 Sensory Garden signs – Base31
– 2 digital border templates – Base31
– 1 interior mural – Queen’s
– 1 book cover digital to print image – Broadview Press
– 5 title page digital to print images – Broadview Press
– 1 logo digital to web and print – Kingston School of Art
– 1 logo digital to web and print – WEYTK Communities Inc. (B.C.)

3 Philanthropic Art Donations:

– 1 painting – QAC/Parrott Art Gallery
– 1 art print stone lithograph – PEC South Shore Joint Initiative (created 2018)
– 1 painting – PEC SSJI

3 Gallery Showings:

– “Must We Wear Heals” sculpture / cast (created 2017) – Parrott Art Gallery
– “Emergence: Future Unknown” painting – QAC / Parrott Art Gallery
– “Drumming Sounds of Colour” 15 piece solo painted drum exhibit – Parrott Art Gallery

Additional Fall 2023 Art and Art-Related Projects:

– 5 Sensory Garden signs – Base31
– 3 large painted drums – WEYTK
– Mural reveal presentation – Base31
– Drum exhibit art talk – Parrott Art Gallery
– Concurrent Education seminar leader – Queen’s
– Artist in Community presentation and workshop leader – Queen’s
– Nursing medical textbook cover
– Drum creation for spring show & sale
– Ongoing paintings

Art Teaching:

– Elementary online Itinerant Art Teacher – ALCDSB
– Grades 9 & 10 Visual Art PECI
– Grades 9 – 12 Visual Art – Regi & HC, ALCDSB
– 5 monthly Creation Stations – Agnes Etherington Art Centre
– 1 March Break Art & Sports Camp – Agnes
– 1 Summer Art & Sports Camp – Agnes
– 1 digital online video children’s story book – Youtube

Additional Art Training:

– Teaching Gr 12 Media Art – University of Windsor
– Teaching International Baccalaureate Visual Art – University of Windsor

Features:

– Kingston in Focus
– QAC Umbrella (this winter 2024)
– QAC Member Spotlight
– County Arts Member Spotlight

Volunteer:

Tett Centre for Creativity and Learning, Kingston – Training November 2023

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia “Po” Chapman’s Kingston Art Studio is a Place to Create

Portia “Po” Chapman’s Kingston Art Studio is a Place to Create

My new studio is a place for me to create, have zoom meetings with clients and present my artworks. I do not have a walk-in store location at this time. Thank you for you understanding.

Love Art By Po Portia Chapman Kingston Art Studio and Creation Space Exterior Road Sign and Flowers on Front Wall of White Brick House

It dawned on me that I have not posted any photos of my new Kingston Art Studio. Although I do miss being down on Bagot Street (I adore downtown Kingston), the suburbs in the north end provide me with more creation space, easy access to building supply stores, Michaels, and the my much needed inspiration trips into the countryside north of HWY 401. The following photos are of my space where I create:

Love Art By Po Portia Chapman Kingston Art Gallery Welcome Wall with  Name Sign, Hand Drum with Painted Pink Logo and Self Portrait Oil Painting
Love Art By Po Portia Chapman Kingston Art Studio Gallery Art Prints
Love Art By Po Portia Chapman Kingston Art Studio Indigenous Hand Drum Antique Cabinet and Prints
Love Art By Po Portia Chapman Kingston Art Studio Entrance Gallery Wall with 2 Art Prints and 1 Pink Tulip Painting
Love Art By Po Portia Chapman's Kingston Art Studio Entrance with Sculpture of Feet and Reflections of Artwork
Love Art By Po Portia Chapman Standing in the Painting Room Entrance of Her Kingston Art Studio Gallery
Love Art By Po Portia Chapman Standing in Her Kingston Art Studio with Finished Mural Building a Bright Future Greet Freelance Commission Clients
Love Art By Po Portia Chapman's Kingston Art Studio Has a Quiet Meditation Space Outside with a Statue of the Blessed Virgin Mary
Love Art By Po Portia Chapman Kingston Art Studio View of Sunset is a Pink Sky
Art News, Portia Chapman, Portia's Adventures

Portia Po Chapman’s “Drumming Sounds of Colour” Exhibition is More Than Inspired by Nature

Portia Po Chapman’s “Drumming Sounds of Colour” Exhibition is More Than Inspired by Nature

“Drumming Sounds of Colour” exhibition is being displayed by the Parrott Art Gallery in Belleville Ontario. The collection features 15 hand drums that Po made and hand painted. It is the first drum exhibit of its kind.
In a recent press release ( Intelligencer local paper ) it is written: “…an exhibition by local artist and drum maker Portia “Po” Chapman, called “Drumming Sounds of Colour” located in our corridor cabinets. This painted hand drum exhibit and sale, displays fifteen drums. Most of the drums feature elk raw hide stretched over white cedar forms and are painted in colourful acrylics with designs inspired by nature…” 
Although it is true that the imagery is “inspired by nature,” it is truly inspired by Po’s experiences growing up with Nature. The 15 piece collection is inspired by Po’s personal relationship with Creation as she grew up in the woods west of Tweed, Ontario. Accompanying the drums are 6 poetic verses that Po and her family wrote together. They tell Po’s story – the story depicted in both the painted images and the size progression of the drums. As such, the exhibit delves into the life and mind of a girl, reclaiming her Indigenous heritage, growing into womanhood as she is guided by Creation. It is a story of the preservation of innocence as revealed in Nature.
The simplistic images, in Po’s characteristic style, are of creatures in relationship with each other and the human experience of that relationship. In this case, creatures seen and unseen. The exhibition also includes 3 drums focusing on virtues: “Love” features a mother and child beneath the watchful , loving protection of a Bald Eagle; “Knowledge” features two people sharing stories around a sacred fire beneath the wing of a Ravine knowledge keeper; “Truth” features two people standing on Turtle Island as Creator lifts the turtle above the turbulent sea.
The poetry features a telling of the drumming pulse of Creation and how it awakens us when we notice it throbbing through our individual and collective pulse. Here is an example:



The drum exhibit is an amazing feat, as it is the first of its kind, at least locally. As a mixed media visual story teller, Po created the exhibit with two things in mind, to share the beauty of her Creation experience and to inspire viewers to tell their stories and share what they see. The exhibit is an amazing experience to take time and to take in.
The exhibition runs until December 1, 2023. If you would like one of the drums for your personal collection, some of them are available for purchase. You can contact gallery staff and they will assist you.

Portia Chapman

Portia “Po” Chapman Begins Painted Hand Drum Trials

Portia “Po” Chapman Begins Painted Hand Drum Trials

Portia “Po” Chapman trial painting on elk rawhide.

I am excited to announce that painted hand drum trials have commenced. After experimenting with a variety of different mediums and paints, I finally found the paint that is right for me and my new painted hand drum collection. Golden’s new SoFlat matte acrylic paints glide beautifully on the surface of the elk rawhide as if a perfect marriage between the two mediums (Golden, not a sponsor, but I would be glad to accept a sponsorship from them 🙂 ). The paint’s self levelling qualities allow for intense pigment while keeping the natural integrity of the hide’s textures. The paint is also flexible enough that I could almost bend the hide in half without the paint cracking, allowing for the flexibility required of a hand drum. While the paint is amazingly opaque, when the painted hide is held up to the sun, you can still see the light shine through it. My patrons will be very pleased with the quality of their new hand drum.

Portia “Po” Chapman painting with Golden SoFlat acrylic paints on elk rawhide.

In order to stretch the raw hide over the white cedar drum frames, the hide must be soaked, I found for at least 12 hours. With an end piece of the elk rawhide, I did a trial run of the soaking process to see how the hide behaved after being soaked. Here you can see the comparison between the flexibility of the soaked raw hide and the dried rawhide. The soaked rawhide is the smaller piece (it did not shrink, it was cut a smaller size). The soaked rawhide is very flexible and almost rubbery in texture (the sensation of feeling it is similar to what I remember when petting a beluga whale as a child), whereas the dried raw hide is stiff and paper like in texture.

I am always excited for the experimental and trial stages of a project. You never know how a material behaves until you try using it yourself, especially a natural Creator-made rawhide that can differ greatly depending on the animal. I am looking forward to stretching the soaked elk rawhide over my freshly sanded and treated white cedar drum frames shortly and beginning the painting process. Once dry, the rawhide will regain much of its translucent nature. I’ll post about these processes too in the near future.

Portia “Po” Chapman smudging soaked elk rawhide with sage and a goose feather fan.

My new painted hand drum collection features 14″ painted hand drums. Each painted hand drum is $500. I am accepting pre-orders to reserve these pieces. I chose to create a new collection of painted hand drums rather than wood block prints/stamps because the artwork and drum can sing in perfect harmony when drummed by their drummer. I like creating art pieces that can be used by the collector. I think this collection is very special. With these painted hand drums, collectors will surely turn heads at their local drum circle gatherings.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975