Behind the Art, Behind the scenes, Drum December, Drum Works, How Po Makes Hand Drums, Kingston Artist, Po's Drum Making Process, Portia Chapman, Uncategorized, woodworking

Drum December Day 6 โ€” A Small Split, But a Successful First Bend

A close-up of Portia โ€œPoโ€ Chapman examining a freshly bent white oak drum frame outdoors, pointing to a small split formed during the tight first bend, with bright flowers and summer greenery behind her.
Day 6: A small white oak split appears after the first bend โ€” an expected part of pushing hardwood to its limits.

Today marks the moment of truth for the first bend of the white oak drum frame. After spending the night under clamps, the wood finally revealed how it responded to yesterdayโ€™s bending session โ€” and as always, the material had a story to tell.

If youโ€™re new here and want to learn more about who I am and the work I do, you can visit my About & Contact page.

When I brought the frame into the studio this morning, the very first thing I did was check the inside curve. And there it was:
a small split along the tightest part of the bend.

For many people, that might feel alarming. But for me, this isnโ€™t unusual at all โ€” especially with a dense hardwood like white oak. Pushing any wood to the minimum bend radius it can tolerate means youโ€™re working right at the threshold where the fibres must stretch, compress, and adapt. Sometimes, a small split appears as part of that process.


What a Split Really Means in Drum Making

A split doesnโ€™t automatically mean failure.

Itโ€™s a diagnostic clue.

It tells me:

  • how far the wood was willing to travel,
  • how much internal tension remains in the frame,
  • and whether the second bend โ€” the glued dry-bend โ€” will seat properly.

In this case, the split is shallow and controlled. That tells me the clamps did exactly what they were supposed to do:
prevent the fibres from opening too far while still allowing the bend to hold.

This is why clamp placement is a true art form in drum making. You donโ€™t just tighten clamps to tighten clamps. You tighten them in anticipation of how the wood is likely to react.

If youโ€™d like to explore my handmade drums, see past builds, or learn about upcoming workshops, visit my Drum Page here.

White oak is expressive โ€” and today, it expressed itself in a way that still sets us up for a strong final frame. As well, the location of the minor breakage will be cut off before gluing the final bend. I don’t sweat these things now, but when I first started bending drum frames, I was totally panicked when the first breakage happened. It was a learning experience – that is for sure!


Reading Tension, Relaxation, and โ€œFeelโ€

Every wood species responds differently during the first bend.
White oak? Well…It hums with a very particular kind of density.

When I picked up the bent frame today, I could feel subtle tension still living inside the curve. Thatโ€™s not unexpected โ€” in fact, with white oak, itโ€™s quite normal. White oak, unlike red oak, doesn’t particularly like being bent.

The key for Day 6 is simply evaluating:

  • Did the bend hold its overall shape?
  • Is the curve even?
  • Is the split stable and non-progressive?
  • Does the wood want to spring open dramatically or gently?

All signs today point to a solid first bend. It was a success. PHEW!!!


Come back tomorrow, Day 7, to watch and read about the what happened when I released the clamps.

The next step โ€” which comes tomorrow โ€” is the careful release of the clamps. Thatโ€™s where I discover how much reflex the wood has stored and whether it settles into the intended diameter or pushes back aggressively.

For now, the job is simply to observe, interpret, and prepare.

White oak may be challenging, but todayโ€™s results show that this drum frame is very much on track.

See you tomorrow for Day 7 of Drum December!

โ€” Po

๐Ÿ“ง Portia@loveartbypo.ca

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Behind the scenes, Drum December, Drum Works, Kingston Artist, Po's Drum Making Process, Portia Chapman, Sustainable Craft, woodworking

Drum December Day 2: Poโ€™s Sun-Steaming Method Begins

Po Chapman lying in the sun wearing yellow sunglasses and a green shirt, beginning Day 2 of her sun-steaming drum-making process.
Day 2: Po begins her sun-steaming process for crafting hardwood drum frames.

Welcome to Day 2 of Drum December!

Today, Po begins the very first step in her innovative sun-steaming method โ€” a sustainable process she personally developed to prepare kiln-dried hardwood for her premium drum frames and exposed stretchers.

Sun-steaming is a technique that Po pioneered to reduce the environmental impact of traditional wood steaming. Instead of soaking the kiln-dried wood for two days and then heating it with electricity, Po slides the carefully milled hardwood into a long black tube with ridges along its interior.

The ridges guide the wood as it slides in, producing a distinctive sound โ€” the beginning of the transformation.

Once the hardwood is inside the tube, Po fills it with water and lets the sun do all the work. For three full days, the water naturally heats within the sealed tube, allowing the wood fibres to relax and prepare for bending.

An Energy-Conscious Method for Steaming the Wood:

  • Removes the two-day soaking stage
  • Uses no electricity
  • Reduces water consumption
  • Produces a more responsive bend
  • Creates the smooth, elite-quality curves Poโ€™s drum frames are known for

This is where Poโ€™s craftsmanship begins โ€” with innovation, patience, and the sun itself.

Tomorrow, weโ€™ll continue documenting this process as Drum December unfolds, one beautifully authentic step at a time.

Tomorrow, Po continues the transformation as she assesses the wood to see whether it has relaxed enough to become bendy and ready for shaping.

Stay tuned for Day 3!

๐Ÿ“ง Portia@loveartbypo.ca

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Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Po Chapman – Mural Installation Artist – Kingston, Ontario – 2024

Day in the Life of Portia Po Chapman by the Toronto Guardian, November 13, 2024 was Published in Response to Kingston’s Portia “Po” Chapman Mural Competition Win for Strong Enterprises in Belleville.

The Toronto Guardian headline states that Po is a Toronto artist. Although she is a Muralist trying to break into the GTA art market, Po is based in Kingston, Ontario. Other than that edit, the following “Day in the Life” article was an accurate telling of Po’s story in 2024.

Article link

I want to thank Emilea Semancik for doing a smashing job on this article.

As an emerging contemporary artist in Ontario, Canada, it has been an exciting month, November 2024 and we are only 13 days in. I received two public features and one day-in-the-life article. I presented my drums and educated the public about drumming and the beauty of the drum making process. Plus my “Sharing Wisdom: Tending to Nature’s Little Ones,” drum was featured in the entrance of the Kingston City Hall gallery in the inaugural show: Kingston Artists’ Showcase. Many more exciting things too. You’ll just have to wait to find out.

Links to all 3 articles are on my ABOUT page. Here is the link.