Behind the Art, Behind the scenes, Drum December, Drum Works, How Po Makes Hand Drums, Indigenous Art, Kingston Artist, Po's Drum Making Process, Portia Chapman, Real-Time Crafting, Studio Process

Drum December Day 15 – Sanding Smooth the Drum Frame

Close-up of Portia Po Chapman’s hands guiding a white oak drum frame on an oscillating drum sander for Day 15 of Drum December.
The final sanding stages begin in the woodshop for Day 15.

Levelling the Joint: Precision Sanding in the Winter Workshop

Welcome back to the workshop! Today is all about the “Great Sanding.” The dust is flying as we move into the first and most critical stage of finishing: leveling that joint.

In today’s video, I’m at the drum sander, pink shop apron on, getting to work on the white oak frame. You’ll see me focusing on the seam where the wood overlaps.

“We are sanding the sharp edges off of the seam. We are using a RIDGID Oscillating Edge/Belt Spindle Sander so that the seam is really nice and even. Some of my competitors leave this inside edge. But you won’t find that here at Love Art By Po.”

The “Po” Difference

For me, the inside of the drum is just as important as the outside. By using the drum sander to level those sharp edges, I ensure the frame feels like one continuous, seamless piece of wood. It’s a small detail, but it’s what makes a Love Art By Po drum a professional piece of art.

The Holiday Schedule

We are moving fast to hit our December 27th stringing deadline! Here is what the next few days look like:

  • Day 16 (Tomorrow, Dec 24): I’ll be finishing the hand-sanding and moving straight into the custom staining process.
  • Christmas Day (Dec 25): The studio will be closed. I’ll be taking the day to celebrate with family while the first layers of our work cure.
  • Day 17 (Boxing Day, Dec 26): We hit the ground running with the first coats of varnish in the painting studio.

Come back tomorrow for Day 16 to see these frames finally get their colour!

See You Tomorrow for Day 16

Read more about my art and contact information at Love Art By Po and the many drums I make.
To contact me directly, please use this email:

📧 Portia@loveartbypo.ca

One response to “Drum December Day 15 – Sanding Smooth the Drum Frame”

  1. Drum December Day 16 – How to Stain a Drum Frame – Love Art by Po Avatar

    […] our Day 15 video, we tackled the critical task of erasing the overlap seam. Using a portable spindle sander, I […]

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Find Love Art by Po’s Portia “Po” Chapman Kingston Art studio on Google Maps at this link.

Portia Chapman

Drum December – Day 5: Time for Clamping

Close-up of hands holding the softened red oak board after sun-steaming, preparing the ends for clamping during Po’s frame drum-making process on Drum December Day 5.
Po prepares the sun-steamed red oak board for its first clamp — the moment the drum’s circular form begins.

Today marks a major turning point in Po’s sun-steamed red oak experiment — the moment when softened hardwood, warm from the solar tubes, is guided into its first held shape. After days of heating, coaxing, and patiently encouraging the wood fibres to relax, it’s finally time for the clamp.

Freehand bending is never a one-person job. With red oak especially — two sets of hands are essential. One pair holds the ends together, and the other manages the clamps with steady confidence.

As the camera rolls, Po’s assistant lifts one end of the oak over the other. You can see immediately that the top end doesn’t lie flat; instead, it sticks out stubbornly, like a child refusing bedtime. This is normal. In every bend, no matter the length, one end refuses to behave. The wood always tries to return to straightness — its original memory.

To protect the tender, freshly steamed wood, Po uses two small oak offcuts as buffers. The cut-offs keep the clamp from denting the softened wood, which is especially vulnerable before it dries.

The First Clamp: Where Courage Meets Making

Po tightens the lower piece first, then holds the top piece and slowly turns the clamp. With each rotation, the ends of the red oak pull closer together. This is the first of two clamping stages in Po’s innovative dry-bending technique — a method she has refined through experimentation, intuition, and respect for the material.

This first loop must dry with the clamps on for about two days.
Only then will the wood be ready to release, be cut to size, glued, and clamped again into its final drum frame shape.

What the video doesn’t show is just how lively the wood can be. Even at this stage, red oak is strong and springy. If it suddenly opens, the clamp can fly across the room — a heavy steel reminder that wood is a living material. Some drum makers use ratcheting straps to control this, but Po avoids this method. The hooks and pressure points don’t sit flush, and can scar the damp wood just before it snaps back.

Instead, Po trusts the method shown here — a method that gives her control, precision, and the markings she demands from her handcrafted drum frames.

Freehand bending sun-steamed wood may look simple, but it takes courage, strength, intuition, and sometimes… a little prayer.

And today, with hands steady and clamps in place, Po brings her drum loop one step closer to becoming the finished frame that will hold the heartbeat of future songs.


Check back for Day 6 to see how the bend holds — and what surprises the wood reveals next.

📧 Portia@loveartbypo.ca

2 responses to “Drum December – Day 5: Time for Clamping”

  1. Drum December Day 11 – How to Clamp a Drum Frame – Love Art by Po Avatar

    […] comes time for the final clamp. If you missed the early stages of this journey, you can catch up on Day 5 and Drum December Begins to see how we prepare the wood to be […]

  2. Drum December Day 10 | How to Glue Before Clamping Drum Frame – Love Art by Po Avatar

    […] before the glue is ever applied. You can see the foundation of this technique in my previous posts: Day 5, Day 7, and Day […]

Let Me Know What You Think! Start or Join the Convesation