Portia Chapman

Portia “Po” Chapman Begins Painted Hand Drum Trials

Portia “Po” Chapman Begins Painted Hand Drum Trials

Portia “Po” Chapman trial painting on elk rawhide.

I am excited to announce that painted hand drum trials have commenced. After experimenting with a variety of different mediums and paints, I finally found the paint that is right for me and my new painted hand drum collection. Golden’s new SoFlat matte acrylic paints glide beautifully on the surface of the elk rawhide as if a perfect marriage between the two mediums (Golden, not a sponsor, but I would be glad to accept a sponsorship from them 🙂 ). The paint’s self levelling qualities allow for intense pigment while keeping the natural integrity of the hide’s textures. The paint is also flexible enough that I could almost bend the hide in half without the paint cracking, allowing for the flexibility required of a hand drum. While the paint is amazingly opaque, when the painted hide is held up to the sun, you can still see the light shine through it. My patrons will be very pleased with the quality of their new hand drum.

Portia “Po” Chapman painting with Golden SoFlat acrylic paints on elk rawhide.

In order to stretch the raw hide over the white cedar drum frames, the hide must be soaked, I found for at least 12 hours. With an end piece of the elk rawhide, I did a trial run of the soaking process to see how the hide behaved after being soaked. Here you can see the comparison between the flexibility of the soaked raw hide and the dried rawhide. The soaked rawhide is the smaller piece (it did not shrink, it was cut a smaller size). The soaked rawhide is very flexible and almost rubbery in texture (the sensation of feeling it is similar to what I remember when petting a beluga whale as a child), whereas the dried raw hide is stiff and paper like in texture.

I am always excited for the experimental and trial stages of a project. You never know how a material behaves until you try using it yourself, especially a natural Creator-made rawhide that can differ greatly depending on the animal. I am looking forward to stretching the soaked elk rawhide over my freshly sanded and treated white cedar drum frames shortly and beginning the painting process. Once dry, the rawhide will regain much of its translucent nature. I’ll post about these processes too in the near future.

Portia “Po” Chapman smudging soaked elk rawhide with sage and a goose feather fan.

My new painted hand drum collection features 14″ painted hand drums. Each painted hand drum is $500. I am accepting pre-orders to reserve these pieces. I chose to create a new collection of painted hand drums rather than wood block prints/stamps because the artwork and drum can sing in perfect harmony when drummed by their drummer. I like creating art pieces that can be used by the collector. I think this collection is very special. With these painted hand drums, collectors will surely turn heads at their local drum circle gatherings.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

Portia Po Chapman Reveals New Hand Drum Materials – Thanks Bill Worb Furs!

Portia Po Chapman Reveals New Hand Drum Materials – Thanks Bill Worb Furs!

For my new collection of hand painted hand drums, I have been called to use sacred white cedar tree wood and elk rawhide. My supplier for these materials is Bill Worb Furs from Winnipeg, Manitoba. I hope this gives an idea of the size of the drums and the raw materials being used. The drum frames are 14″ in diameter.

I will post more information soon.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

The Inspirations of the “Truth” Illustration by Portia Po Chapman were Indigenous Story and Storytelling

The Inspirations of the “Truth” Illustration by Portia Po Chapman were Indigenous Story and Storytelling.

Portia Chapman’s Indigenous Illustrations Published

Indigenous Art Page

This week, during National Day for Truth and Reconciliation week, Queen’s University featured the Indigenous Illustration, “Truth.” I was commissioned to create these illustrations by the Queen’s Indigenous Initiatives Department for their website. Since then, the illustrations have been beautifully featured as integral elements to the Queen’s University Truth and Reconciliation Task Force Implementation Report – Year 3. This week, “Truth” is being shared on various sites, apps and pages. Also, a Zoom / Microsoft Teams background with the illustration was created so that you can use it for your meeting backgrounds, especially Queen’s departments today. Today is Orange Shirt Day – Every Child Matters. The following is a short video of me explaining the inspiration that guided my creation of this beautiful image.

Indigenous Story and Storytelling inspired me.

Since I wanted the illustrations to be interpretive, I struggled to provide art interpretations. But as I was creating these images, I could hear and see words. For this illustration, I kept seeing and hearing: “Truth.” But the truth that I kept repeatedly experiencing was not the word, but rather the action and essence of Truth. There were times that I could feel the Sprit of Truth guiding me as the spirit whispered in my ear with faint drumming and singing surrounding us.

As a visual storyteller with Indigenous heritage, generations of my ancestors were silenced as their/our culture was wiped from public display. It was only through story and storytelling did I learn my family’s story. It was because of story and storytelling that I grew to cherish my heritage and ancestry. Our truth may have been hidden from the general public, but it remained alive in our family. Now with my aging family, so many have died but their story is alive as ever.

In the illustration, you will notice a circle of people sharing stories of TRUTH. At the top of the gathering circle, there is a pinkish, larger figure. To me, she represents both Spirit and Clan Mother / Grandmother. She exudes story and the embodiment of truth. She is active and alive as she shares the Truth with the generations to follow her. The orangish space in the middle is a ceremonial fire gathering everyone together.

So as you can see, “Truth,” tells a living story or storytelling. After everything that has been lost, gained or changed over time, Indigenous STORY and STORYTELLING has continued to tell TRUTH!

As an integral part of the Truth and Reconciliation process, please hear the stories of Indigenous Peoples from across this land. It is through hearing the stories shared that we may all, in Truth, move forward together.

Portia Po Chapman using the “Truth” Zoom / Teams Background

https://www.queensu.ca

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman, Studio Process, Sustainable Craft

Papercraft Arts and Crafts Gift Chest by Portia Po Chapman

Handmade floral papercraft gift chest by Kingston Artist Portia Po Chapman, styled with vibrant pink pillows and an award-winning oil on canvas swirl painting in the background.
A multidisciplinary composition featuring my hand-designed floral gift chest, accented by vibrant textiles and my award-winning oil on canvas swirl painting.

The Gift Chest

A vibrant look at the “Papercraft Arts and Crafts Gift Chest” by Kingston Artist, Portia Po Chapman.

This multidisciplinary showcase features a hand-designed floral gift chest set against a backdrop of an award-winning oil on canvas swirl paintings, and rich textiles, highlighting the intersection of fine art and functional craft.

Art and the Laws of Attraction

In 2020, the pandemic hit. As a sculpture and installation artist, I just needed to build something that would make me happy. So, I built this chest from whatever was in my apartment studio.

This chest is emblematic of how art kept me moving over the next 2 years. By keeping art in my focus, the [Laws of Attraction] were witnessed. In 2022, I was contacted, which seemed out-of-blue, by an Arts Council member and I was not yet a member of that specific arts council. I was one of six other artists who won a Placemaking contract to paint a mural.

That mural was my launch into community placemaking murals and installations.

Materials Needed to Make the Chest:

To make a chest like this one, you’ll need:
– cardboard
– scrapbook paper
– hot glue gun
– heavy duty glue stick
– Podge
– scissors

Art is in the details.

I’m revisiting this cherished project: a custom-designed Papercraft Gift Chest. I love how the intricate floral patterns of the chest play against the fluid energy of my award-winning swirl painting in the background. It’s a perfect example of how different mediums—paper, paint, and textile—can happily add to a cohesive creative space.

Click through to my [Landing Page] to see where my artwork has taken me since 2020 – from small craft to large-scale community placemaking projects.


To contact me directly, please use this email:

📧 Portia@loveartbypo.ca

2 responses to “Papercraft Arts and Crafts Gift Chest by Portia Po Chapman”

  1. linda Chapman Avatar
    linda Chapman

    Hi Portia,I love the floral gift chest that you made and I love your little lamb peeking out.He is so cute and looks familiar……..I love you Nanny.


    1. Portia "Po" Chapman Avatar

      Thank you. It was a very fun creation. I still use it to store bows, tissue papers and such.

Portia Chapman

Zhashkoonh ( Muskrat ): Nishnaabemowin Children’s Book by Portia Po Chapman

Zhashkoonh ( Muskrat ): Nishnaabemowin Children’s Book by Portia Po Chapman

During the Summer (2021), I began learning Nishnaabemowin. My Trent University Professor was Shirley Ida Williams. Professor Williams wrote the textbook for the course: “Eshkintam Nishinaabemang Mzinagan: Introduction to Nishnaabemowin.” On page iv, Professor Williams describes the dialect as, “The main dialect used in this manual is linguistically classified as Manitoulin Central dialect of Ojibwe and Odawa and is part of Eastern Ojibway and an offshoot of the Mother language of Algonkian.”

It was really exciting to begin my journey learning the language.

As part of the course, I wrote, read aloud, and illustrated my first children’s book in Nishnaabemowin. In this little video, you can read along with me.

Why did I choose to write about the Zhashkoonh ( Muskrat )? As well as being part of the creation story, I enjoyed watching the muskrats as I grew up along side the lake. They always seemed to be a bit more playful than the beavers. While they are tiny, they sure are mighty!

I hope you enjoy reading along with me! Maybe you too can learn few Nishnaabemowin words!

Click to visit my Indigenous Art page.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Portia Chapman

Portia Po Chapman, Back in the Studio 2021 / 22

2 weeks after completing my Bachelor of Education in August 2020 (Secondary School Teacher of Visual Art and First Nations, Metis and Inuit Studies) I secured my first teaching position.


I was planning on creating a new collection of woodcut prints inspired by the illustrations I did for Queen’s University, but my teaching position and Additional Teaching Qualification courses occupied my time.


In order to focus more on my artwork, I am teaching less this year (2021/22). As so many of us have found our lives altered by Covid-19, I have found a new breath of creative energy.


If there ever was a time to create, now is that time!

I will be posting more of my art process and documentation. Please continue to check in.

I have 3 projects that I have begun. Well, some of the materials have arrived. I’m really excited about this year.

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Chapman’s Indigenous Image Scratchboard Arting was Fun for All

Portia Chapman’s Indigenous Image Scratchboard Arting was Fun for All

This winter, as part of the Artist in Community Education Concentration at the Queen’s University Faculty of Education, we had the opportunity to host “Artings” in Duncan McArthur Hall.  I chose to do a scratchboard event.

Basically, an arting is a brief art workshop, often only one night and for one art project.  Our scratchboard arting was 45 minutes.  Participants were able to start and finish their art pieces in this brief time together.  It was so nice to see so many happy faces as participants left with their own finished artworks in hand.

Scratchboard 5
Scratchboard 1
Scratchboard 18
Scratchboard 15
Scratchboard 7

Before participants left to mount their artworks at home, each participant received a certificate of completion.  I can’t wait to host more artings this fall.

Thanks:

I would like to thank my supportive sister Jasmine Chapman (BEd CommTech) for photographing this event for me.  Not many sisters get to do their BEd together – but we did!

I would like to thank my ACE professor Aynne Johnston for integrating this fun arting opportunity into our concentration.  Artings are so fun, productive, and only take a short time to do.  If we all took an hour to create each week/month, just imagine how we could beautify our world together.

Po

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975

Art News, Portia Chapman, Portia's Adventures, Uncategorized

Portia Chapman’s “Desk” Has Places to Go What is Your Learning Story?

Portia Chapman’s “Desk” Has Places to Go!

What is Your Learning Story?

desk learning is a journey
“Desk” was Digitally Inserted into My Photograph – Windsor, Ontario

As an Art Teacher and Teacher of First Nations, Métis, and Inuit Studies, I hope to take “Desk” on a learning tour. Covid-19 has taught us that learning happens everywhere in life – if we are willing to learn. The classroom suddenly became our living rooms, bedrooms, and even our cars.

We kept learning during a time that prevented us from going to the school building. I want to take “Desk” on a journey across the country.

A moving journey across our great land whereby each stop along the way invites people to sit at “Desk” and to tell their stories of learning. I really, really like school – sharing, learning, teaching, and so much more.

As the artist, I so aspire for “Desk” to remind all of us that we must not move backward – we must keep moving forward. Learning is everywhere and learning flourishes when we share our stories together.

desk learning everywhere
“Desk” was Digitally Inserted into My Photograph – Toronto, Ontario

This is “Desk” in the studio:

39
“Desk” by Portia “Po” Chapman, 2019 – In the Studio
 

“Desk” Artist Statement & Story with Additional Photos Including Construction

Po

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Belleville, Ontario, Canada
portia@loveartbypo.ca
613-779-7975